Cool Jazz Cocktail Bar in Free Time Track

Effectively percussionless — there is no beat to follow at all, just warm, busy interplay between piano and bass moving at their own pace for two and a half minutes.

The lack of a pulse makes it unusually good under dialogue and narration, and it suits quiet bars, hotel lounges, art spaces and any room where a rhythm track would feel too directive.

The only track in the album with neither a measurable tempo nor a detectable key: piano and bass move at their own pace for two thirty-eight, the longest of the four free-time cuts. There is nothing here for a beat to sync to.