Cinematic Epic Trailer Without a Beat Track

Nearly three minutes of warm, major-key epic trailer scoring built entirely on sustained swells, with no steady percussion to lock to and a moderate dynamic range.

For trailers that need scale but not rhythm, landscape and aerial sequences, historical documentary and title cards. Easier to cut freely against picture than a metronomic trailer track.

Two minutes fifty-two, the second-longest track on the album, with no measured tempo at all. That is why it closes the record: there is no pulse to fade out of.