Ten tracks: nine piano pieces and one guitar-led outlier. Only two of the ten have a measurable tempo, and both land on exactly the same figure — a hundred and eight — while the other eight are in free time with no pulse at all. Seven are in a major key, two in a minor, and the grunge cut has no detectable key whatsoever. The album's most useful feature is a matched pair: the lonely piano in E major and its minor-key second take are the same sparse writing twice over, one gentle and one bereaved, sequenced back to back so an edit can move between them without a change of voice. Around that pair the record covers a wide emotional range on one instrument — a rising major line that never resolves, a melancholy piece that is the only thing here that builds and releases rather than holding still, a genuinely cheerful cut with a light rhythm under it, a lullaby with almost no dynamic incident at all, and a closing solo recorded at the lowest overall level on the album. The two extremes sit in the same key: the opening piece has the widest dynamic range here and the closer the narrowest, both in A# major.
All 320 kbps, no vocals, released under CC BY 4.0. Use them for wedding and ceremony video, intimate documentary, grief and bereavement content, charity and healthcare storytelling, graduation and milestone films, sleep and meditation, nursery and calm-down routines, empty-landscape and abandoned-place footage, and nineties-styled or coming-of-age montages. Credit Alex Morgan and you are done.