Eleven tracks: ten solo piano pieces and one complete outlier. The number that defines the album is one — exactly one of the eleven has a measurable tempo, the amapiano cut at a hundred and eight beats per minute. Every other track here is in free time, with no pulse at all, which is the whole reason to use this record: nothing in it sets a pace, so the picture keeps its own. Eight of the eleven are in a major key and six of those are in A# major alone, which is why the album runs as a single continuous mood rather than a sequence of contrasts. Two of the tracks are a deliberate pair — the cinematic cut at position three and its second movement at four share a key, a palette and a mix, and are sequenced to run back to back. Three more form a gentle cinematic set that can be used the same way across a longer edit. At the extremes: the long cinematic version runs three minutes thirty, fifty-five seconds longer than anything else here and built to cover a full ceremony without a music edit, while the calm closer is one minute fifty-eight and the quietest recording on the album. The amapiano track shares nothing with the other ten and is placed mid-album on purpose rather than hidden at the end.
All 320 kbps, no vocals, released under CC BY 4.0. Use them for wedding and anniversary films, memorial and tribute video, charity and fundraising appeals, meditation and sleep content, therapy and wellness, documentary segments on difficult subjects, slow landscape and time-lapse footage, and any narration that needs music with no rhythm to fight. Credit Alex Morgan and you are done.