"Named after Odilon Redon’s painting La Cellule d’Or, Ian Franklin, under his Shredderghost name, tackles some mind-trip work of turbulent soft/heated control and excited cloud/cooling stretch-out.
Guitars get chances to resurrect and to speak again, blurred but with stoic integrity they hang on, they leak through the closed netting.
The amplifier gets full working duty, gets the last say. It all passes and erases in sonic solder memory come-and-go.
Temporal looping on earth, while working, untricking the enlight/enrich code."