Biography
P C III (Pipe Choir Three) is a musical project created by Michael J. Bostwick in 2013 as an outlet for his original compositions in a self-developed genre known as Onistwave. As the third incarnation of his Pipe Choir work, P C III serves as a dedicated platform for exploring long-form, immersive soundscapes that reflect Bostwick’s unique artistic vision.
Onistwave—a term coined by Bostwick—blends elements of pop, rock, classical, ambient, electronic, and world music, yet adheres to a distinct set of principles that define its identity. According to Bostwick, Onistwave is characterized by the following:
It is created with the intent of relaxing and calming the listener.
Each piece has a long duration, typically 15 minutes or more.
Percussion is used sparingly and with a light touch.
Harsh or abrupt cymbal crashes are deliberately avoided.
All music is original and self-performed—no external samples or loops are used.
It incorporates a blend of acoustic, electric, and electronic instruments.
Keyboards and atmospheric effects play a prominent role in the compositions.
Vocal lines, when used, are minimal but richly layered.
P C III embodies a deep commitment to musical authenticity and introspection. Bostwick’s compositions are not only technically meticulous but also emotionally resonant, offering listeners a meditative and often cinematic experience. All music released under the P C III name is shared under a Creative Commons Attribution license, encouraging free use, sharing, and adaptation with proper credit to the artist. With its evolving yet consistent sound, P C III continues to stand as a compelling entry point into the innovative world of Onistwave music.
Onistwave—a term coined by Bostwick—blends elements of pop, rock, classical, ambient, electronic, and world music, yet adheres to a distinct set of principles that define its identity. According to Bostwick, Onistwave is characterized by the following:
It is created with the intent of relaxing and calming the listener.
Each piece has a long duration, typically 15 minutes or more.
Percussion is used sparingly and with a light touch.
Harsh or abrupt cymbal crashes are deliberately avoided.
All music is original and self-performed—no external samples or loops are used.
It incorporates a blend of acoustic, electric, and electronic instruments.
Keyboards and atmospheric effects play a prominent role in the compositions.
Vocal lines, when used, are minimal but richly layered.
P C III embodies a deep commitment to musical authenticity and introspection. Bostwick’s compositions are not only technically meticulous but also emotionally resonant, offering listeners a meditative and often cinematic experience. All music released under the P C III name is shared under a Creative Commons Attribution license, encouraging free use, sharing, and adaptation with proper credit to the artist. With its evolving yet consistent sound, P C III continues to stand as a compelling entry point into the innovative world of Onistwave music.
