Bossa Punk

Madame Rrose Sélavy

89.4K plays 16.6K downloads
Released Nov 14, 2017
Plays 89.4K
Downloads 16.6K
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The songs in this album are licensed under: Attribution-NonCommercial Please check individual tracks for their respective licensing info.

It’s hard to think of a better title than Bossa Punk for this recent compilation from Madame Rrose Sélavy. It’s the eighth release from this Belo Horizonte band and is the perfect bookend to the first chapter in the band’s history (as well as an indication of what is to come). Over their previous releases the group fused elements of bossa nova, rock, frevo, electronica and punk to create an always-challenging, often raw, sound. For Bossa Punk they decided to strip down their songs to just guitars and vocals. The results are really quite stunning.
It’s no surprise that Mais Um Discos chose “Só Um Beijo” for their Rolê: New Sounds of Brazil compilation. It’s one of the album’s major highlights, a simple guitar motif backed by glittering FX and the two vocals layered together on top. As with many great pop songs, it’s the simple things that work and in this song’s bare elements they hit perfection. “Bem Vindo”, “Só Você Não Vê” and “Vida Açucarina” all come close to repeating the trick. It feels that after all the years of playing together the group have finally found a winning formula, languishing in the beauty of their layered vocals with languid guitar-work, and saying goodbye to the thrashing guitars and electro beats that were often prominent in their earlier albums. It means that the album can drag sometimes with so many of the songs treading the same path, hoping that the lyrics and melodies will be enough to ensure each track stands on its own. In truth, they almost have enough great melodies to pull it off. Considering there are 16 tracks this is quite some feat.
Since they began Madame Rrose Sélavy have often used “bossa” and “punk” to describe their sound. Bossa Punk is their first release to perfectly encapsulate the meaning of those two words together, the simplicity, melodicism and serenity of bossa nova with the attitude and DIY approach of punk. As an introduction to Madame Rrose Sélavy and their five years and eight albums as a band, it couldn’t really be any better.