The sounds of Ignatz come not from George Herriman's brick-hurling mouse, but from a Belgian named Bram Devens; and his take on American folk/blues drops the listener right into a churning, alien lo-fi universe of blurred echoes, distant Appalachian plucking and deep, FX-scarred soundscapes. Despite all the haze and buzz,
the ghosts of Blind Willie Johnson and Mississippi John Hurt float above it all with distinct tunes and structure.
Bio by Brian Turner
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