Hart l'Aumônier by Debmaster

With his new opus CREVIN, Debmaster, both inspired and inspiring, gives 
a kick in the ass to “Dancefloor” music. In continuation with Crev’ Sessions 
(under ex-label BriEfcAse Tockers), CREVIN presents itself today as the 
fermata of Crev philosohy, a philosophy for which Sammy Stein offers a 
definition through the cover he drew. 
Dirty and stubborn hip-hop beats tinted with arpeggic bleep bleeps for a 
dark yet dancing result. CREVIN is falsly awkward, a worked looseness, 
the antonym of Swag. 
It’s a definite nod of the head for the fine amateurs of hip-hop and electro, 
but also for all the lovers of off-the-wall nights, where sweat mixes genres 
in a quest for shared discovery. Because CREVINis eclecticism at its 
foundation and the promise of a blissful marriage of several horizons, for 
the better and for the worse.