( (( PHONATION )) ) explores where sound connects to the subliminal through the timbre languages of the voice, found sounds, new and antiquated instruments and electronic devices. Using a sound designer’s approach to performance composition that is steered by a penchant for a song, ( (( PHONATION )) )
engages with music as music, and not as part of a genre, taking the means to one end, and using it for another to form new utterances of sound and the beginnings of a new sonic language, within its spatial and architectural context. In every case, a particular sonic geography is evoked that might be inspired by a simple, found-sound in the world, or an expression of a sonic paradox bouncing around only in the mind.
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