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ABOUT THE WORKS
Conglomerate Fragments for Solo Piano
Sergey Schepkin, piano
A work fusing the colloquialisms of jazz with Bartokian piano textures. Inspired especially by the overall gestural architecture of Bartok's 2nd Roumanian Dance op. 8a
Cultural Dis-Ease
Performed by New England Conservatory student orchestra
A work for chamber orchestra dealing with sonority oppositions and tone color modulation.
A Microtonal Tapestry for Chad
A piece for keyboard employing microtonal tunings. A piece recorded with the Korg SP-500 which can employ several user-defined tunings with deviatons of up to 50 cents in either direction. The unit also has a pedal switch which will shift whichever notes are depressed either up or down a quarter tone.
ABOUT THE ARTIST
Andrew Bisset, a cutting edge artist with an ear-blistering sound, fuses Stockhausenian sonorities with Grand Master Flash breaks into a catastrophic sonic journey with a hint of Attention Deficit Disorder. His output never failing to push the envelope, his voice never settling into a fixed dialect, he is the Rubric's Cube of his art. While currently working on producing IDM (Intelligent Dance Music), Drum & Bass and experimental electronic tracks, he has also written a number of successful acoustic works.