Who's feeling dreary?
There's not much here that's up-tempo.
First up is a feedbacky inquisition into whether ugly sounds can speak pretty music. Answer unclear. Next is an attempt to put a Finzian spin on one of Robert Graves's grimmer encounters. Possibly in questionable taste. Then there's an artificial guitar interlude. Then a nifty little exercise in repetition, longing, and dissatisfaction. Finally, another nod to Graves, and a chance to alter reverb fields in an effort to emulate the distinction between social and individual perceptions.