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Programa Marca Branca

About Programa Marca Branca

Programa Marca Branca
REGISTERED:09/12/2012
CONTRIBUTIONS:176
PLAYLISTS CREATED:0

Since 2008, Programa Marca Branca has been the only regular Portuguese radio show exclusively dedicated to netaudio and free culture, with weekly podcasts and features on this digital universe. You can check our work at our blog or facebook page.

Our mission at FMA is to promote Portuguese netaudio.

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Stray - "Chewbacca" (03:58)
Stray - "Chewbacca" (03:58)
Stray - "Akuma" (02:21)
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programamarcabranca on 11/07/2012 at 09:15AM

Marca Branca #4 - Some Portuguese Hip-Hop

Creative Commons licensed photo by eny-one

For the past 30 years, hip-hop has been the musical language of struggle: no matter what you’re rapping about lyrics tend to be some kind of personal statement. Although it was born in the US, throughout the years hip-hop has been adapted and reinvented a bit all over the world. Its sound has also evolved collecting both global and local influences. However, one of the features that seem to be perpetuated along the way is the use of the mother tongue regardless of the place you’re at. Portugal is no exception.


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J-K - "Perspectivas" (03:57)
J-K - "Perspectivas" (03:57)
J-K - "Aperitivos" (03:49)
J-K - "Aperitivos" (03:49)
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programamarcabranca on 10/16/2012 at 08:30AM

Marca Branca #3 - Alexandre Bateiras - Canções da Lua Nova

Photo by jsome1.

This one is an oldie. In fact, almost five years passed since this was released on Merzbau. Unfortunately, enough time for the netlabel to shut its doors - the website is still on and will be for long, so make sure you stop by and listen to the other records.

What is truly remarkable on “Canções da Lua Nova” (in portuguese “Songs of the New Moon”) is that these eleven songs (and an outro) were in kept in a drawer for over thirty years. This is an unbelieveble instrumental fado music collection hidden for too long.

Although Alexandre Bateiras has always been a portuguese-guitar player – he plays since he was 15 -, he was never concerned about releasing new songs. Well, it was only due to his son's persistence that the tracks saw daylight.

 Please make notice to the fact that you're not listening to music only, you're listening to the stories that were left behind on Alentejo's plain (South of Portugal). Most of the songs names are real places names. And those that are not still have something important to remind us. For instance, “Tributo” is as tribute to a soldier who died during the portuguese colonial war back in the 60's. Alexandre Bateiras was there, whitnessed the moment and was able to show us what happened with a few chords.


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