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UCSB Cylinder Audio Archive

A digital collection of recordings held by the University of California at Santa Barbara. Includes searchable database, history of cylinder recordings, and more at

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seubert on 10/13/2015 at 06:03PM

Archive relaunched!

Ten years after its launch in the fall of 2005, the Cylinder Preservation and Digitization project has been relaunched as the UCSB Cylinder Audio Archive. With new content, enhanced compatibility with mobile devices, and a more user-friendly interface, the site can now make this unique content available to a new generation of users on a wider variety of platforms. And you can also adopt a cylinder with a credit card now. Let us know what you think!

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burdt on 07/03/2013 at 08:36AM

The Star Spangled Banner

The Star Spangled Banner

The Star Spangled Banner became the official national anthem of the United States in 1931. It was written in 1814 by Francis Scott Key about his experiences in the Battle of Fort McHenry during the War of 1812. The lyrics are sung to the tune of a British drinking song called "To Anacreon in Heaven" composed by John Stafford Smith for the Anacreontic Society, an amateur musician's group from London. 

The song's four stanzas and one and a half octave range make it a challenge to perform for amateurs and professionals alike. Nevertheless, The Star Spangled Banner has been a staple of military and public events since the 19th century.

The earliest recording of The Star Spangled Banner the CPDP has processed is a Columbia Phonograph Co. brown wax cylinder performed by George J. Gaskin sometime between 1896 and 1900. He was born in Belfast Ireland and was known as "The Silver Voiced Irish Tenor." This rendition of the national anthem has many of the familiar nuances we have become accustomed to hearing, in addition to some familiar gaffes. For example, listen to his rushed phrasing after "the rocket's red glare" and his continuous struggle to hit every high note. In spite of these flaws, this recording is an excellent representation of the single-take-warts-and-all spirit of the brown wax cylinder era.

The most common performances of The Star Spangled Banner captured on cylinder are instrumental and vocal renditions by various military bands. Edison and Indestructible records had their house military bands perform renditions of this and other patriotic songs; the New York Military Band and the United States Marine Band also recorded their own versions of the song as part of patriotic medleys or on its own. One of the most popular medley versions was an Edison Blue Amberol titled "Patriotic Songs of America" performed by the New York Military Band and The Premier Quartet in 1910. The CPDP has five different takes (two of the original and three of the reissue) of this medley alone! In terms of standalone instrumental performances of the national anthem, the United States Marine Band's 1910 version for Edison Standard Records is phenomenal in its regal spirit and subdued grandiosity.

Perhaps the most interesting recording of The Star Spangled Banner the CPDP has is Harry E. Humphrey and the choir boys of St. Ignatius Loyola's "Our National Song" on Edison Blue Amberol from 1916. This version is a didactic recitation about the history of the Star Spangled Banner followed by the St. Ignatius Loyola's choir boys' wide-eyed rendering of the anthem's first stanza. Humphrey posessed a spellbinding oratorial skill and the children choir's provides a compelling coda to his poetic eloquence.

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User Comments

casssax on 05/13/11 at 04:03PM
I have a suitcase full of cylinders and the cylinder player. Any advice about the best way to record these. I've tried a few different mics and would appreciate any advice I could get. Thanks.
deegee on 05/13/11 at 05:10PM
Really cool to be able to see and hear these on this latest form of technology!
katya-oddio on 06/09/11 at 09:48PM
Thanks for the informative interview with David and Berto of the CPDP!
burdt on 06/15/11 at 07:57AM
@casssax Pardon the eternal delay.

We record our cylinders using a machine called the Archeophone. It's big and expensive but it suits our wholesale digitization purposes.

Since this is the only machine I've ever used to record I'm at a loss regarding any means of capturing the acoustic playback of a cylinder.

I would suggest you check out a dedicated collector's forum for acoustic playback recording advice.

Another option would be to make a hybrid cylinder player by mounting an electric cartridge on your player.

Or if you have 24k to spare there's always this (link to the Archeophone):
adal2007 on 05/10/15 at 11:14PM
Hi, i run a small open music archive project, we want to enter to FMA
(free music archive curator) seems a good fit for the music we do, mainly electronica and videogame music, here are five samples:

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