Now we have the master on the other side of the horn. The ear now looks out. This a gifted collection of blanketed aura iron-out and windows-down tempo pulse from James A. Toth, our usual in-house master technician. Here, he removes the white hat and takes the long, treed road
chasing the warmth and the experiment in tone and technology. Tape manipulation, part of the mixing process, printing/creating new textures, allowing the decay and compression to spindle appropriate melody, the add-on/dump-down schemata holds the stamp. The flashes break the horizon’s long-distant view, it moves ever-closer with the heat turning, lighting the propel. Small, irregular clock-wise rollers collecting and disseminating new data in an almost instant compositional-like poise and lacquer.
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