With our own atmosphere by Kris Keogh

in 2008.  Coming from his base in Arnhem Land and never having lived in a city before, Kris soon realised he could do whatever he wanted. Learning to play the harp was top of his list. Spending a year studying harp by day and mixing it with the Osaka underground by night was the perfect double life. After writing his dream audio software, he moved back home to Arnhem Land, locked himself away for three months with the girl of his dreams and made this album. With a long history of music making, from his renowned Blastcorp project to the recent work as the duo Red Plum and Snow, ‘Processed Harp Works, Volume One’ represents a sonic departure on an epic scale – one that required an organisation the size of the Darwin Symphony Orchestra to realise. Kris discovered their harp in storage, allowing him to continue the learning curve initiated in Japan – recording by day, splicing and mutating by night. With influences as diverse as Debussy, Merzbow, Prince, Kris explains his rationale thus: “I made this record to make girls swoon, scare animals and bewilder my family. Imply everything. Bury melody. Obscure rhythm. Respect tradition. Fuck presets.”