From Intervall-audio:
The tracks on Trail EP  by Colombian-born          Japanese musician, Nobara          Hayakawa, are a bundle of select experimental shoegaze electronica          sketches recorded for different projects using computers, acoustic instruments          and voice — together they project a journey back in time into what          every person on earth can feel as speaking of something deeply honest          and real (including irony).
"Like old friends, my old selves singing about          the lives I've lived", is how Nobara herself epitomizes the album.          And indeed, taken together, the tracks sound like a chapter closing, like          briefly looking back and remembering old and dear (and maybe less dear)          things — things that make one wonder for a second, and then briefly          smile, before one puts them away to get moving on...
The first track, 'Trail' is "about the love/hate          pendular movements that one experiences under the effects of a caprice".          'Hoover Love' features a vacuum cleaner and is part of a project series          for domestic machines and voices. 'Alas' (wings) "was made on a Sunday          evening, in a state of deep sadness." The next track, 'Desalejar',          has got no words at all, since the song is about trust. (Incidentally,          desalejar  is the Spanish word for Martin Heidegger's          ent-fernung.) The longest track, 'Fuzzy Lady', is an improvisation          for washing machine, drum machine, piano and voices. And the final track,          'Homelessness', came "after reading too much Paul Auster and crying          too much for the same ghost."
Nobara          Hayakawa is a Colombian-born Japanese singer and musician. She studied          visual arts at Tokyo National University of Fine Arts and Music and currently          works as a lecturer at two universities in Bogotá.