These two discs represent some of Gen Ken  Montgomery's sound art and compositional work from 1981-2001.  Pondfloorsample is a collection of sonic explorations utilizing common  devices meant to hold something other than sound. As with much of his  sound work, the sonic material contains many sounds of everyday life.  Having composed extensively for multi-channels, Pondfloorsample was  specifically designed as a stereo audio piece enabling Montgomery to  reach a larger audience.
"His work always begins with listening to the world. He works  within processes, defining a set of conditions by which a piece will  unfold itself. Sometimes he takes the familiar - sounds of icebreakers,  radiators, laminators, egg slicers, bath drains, etc. - amplifying their  familiarity, all the time asking us to hear the world a little  differently. Other times he constructs a vapor of mesmerizing sound that  is entirely disassociated with things that you know or instruments that  can be visualized. These are sounds that you can see. He has a Cagian  appreciation of ambient noise.
"Although never a formal "student" of the academic "New York  School" - the tradition of Cage and Tudor followed by Lucier, Behrman,  Mumma, Collins, Kuivila, DeMarinis and others - he is an influential  artist in this field. He created his own school, so to speak, of  do-it-yourself electronics, assimilating the works of the aforementioned  artists and complementing them with his own inside experience of New  York performance music. And then there is the bridge he makes to  European techno roots; his longtime friendship with Conrad Schnitzler  and frequent audio projects for German audiences and galleries. He  listens, assimilates, creates, and paints new experiences with sound." -  Thom Holmes (from the liner notes)