“Sludge” (Used 6 times)
wmmberger on 10/02/2012 at 09:00AM
Brooklyn's exceptional Divorce Money, one of the finest, mournful, hardcore bands around (who for whatever reason have not been released on Youth Attack, though their eminence and songwriting parallels the best releases on that label), brought something a little different from the careening, tortured pleasure of their 7" EP and tape, to their My Castle of Quiet live appearance. I'm a sucker for artists who consider their radio set to be an in-its-own-world kind of event, and this one was was borne out of sheer circumstance.
Down a drummer for the night, after having rescheduled with the show once already, Divorce Money more than rose to the occasion, bringing something no less "punk," and definitely no less tortured, though musically more along the lines of the best jams of Missing Foundation or Flipper. Friend of the band Jonathan C. stepped in quite admirably on drums, tapping out a mighty dirge into the night, with DM members Rene on vocals and Alex on guitar (with much feedback, yes!)
wmmberger on 04/02/2012 at 04:01PM
From the Eaten Ogress to the Berzerker, and all that lay between; Wretched Worst LIVE on WFMU's My Castle of Quiet, 3.16.2012
So it goes with "heavy" bands nowadays; it's the ones that defy easy genre-fication that are closest to my heart. Sure, black metal is amazing, but it's the projects that don't let the sound play them that really shine. And so it is with punk-noise bands like Drunkdriver, Tinsel Teeth (ed., avoid name dropping), and our guests a few weeks ago, Wretched Worst.
Wretched Worst appeal to me in the same way Flipper does, that feeling of almost falling off the building, as though things might get reckless in the room at any moment. And they carry on the tradition of anything-goes experimentation, forged by the Subterranean Records scene in the 1980s, where one can just grunt, or make one very sparse, metallic noise with great earnest, or let a good, collective drone just go, for five or more straight minutes. Noise-brut, one might call it. These indefinable, maniacal songs are regardless quite pleasing to the ear.
But make no mistake, one could also hear Wretched Worst and get none of what I just wrote, and just find their head swirling in heart-jarring thrusts, very sexual and wildly human. Hard as hell. L'humian désenchaîné.
So before I take on airs even more, let's just get to their set, and let that be the proof in the pudding. Quite righteously engineered LIVE by Diane Kamikaze.
Thanks to singer Matt (Matt Minter, WW vocalist), who does most if not all of the band's record-and-tape packaging art, and is a unique talent; maybe the closest references I could cite would be Raymond Pettibon, and 80s, L.A. punk-flyer art in general, but with an ultra-modern, disturbing-horror angle as well. Thanks also to the band—Aaron, Thad and Brian (who will join us again on The Castle, playing drums with The Gate on April 27), and thanks to Tracy Widdess for mashing up my (and possibly Diane's) captures of the band, to create the glorious portrait that accompanies this article.
Dig it! Wretched Worst on bandcamp.