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“Severed Lips Recordings” (Used 9 times)

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dvd on 08/14/2012 at 12:00PM

MP3 of the Day: Tyrannosaurus Dracula, "Upsidedown Stars"

Tyrannosaurus Dracula, affectionately known as 'T-Drac' is "a molten melding of Acid Rock and Punk: Blue Cheer, Pentagram VS Black Flag, Birthday Party mixed in a rusty bathtub with beer, sloppy prog-rock and cheap magic tricks." (via

A project from William Hellfire (profiled here), expect dirty 4-tracked psych-blooze with a gut. Be sure to check out the whole compilation, Headphone Hospital, from SLR.

Tyrannosaurus Dracula on:

Free Music Archive | Soundcloud | Myspace 

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lizziedavis on 08/04/2012 at 03:00PM

The Lost Devilcore Hits of Severed Lips Recordings

photo

Severed Lips Recordings was a cassette label which operated out of a basement in Ringwood, NJ from 1992-2000. Somehow, their catalog of horror garage gems from an incestuous roster of artists has managed to stay under the radar, a rare feat in the "information age."

The fascinating story of Severed Lips Recordings is inspiring to anyone who's been involved in a fringe DIY community. I had the pleasure of hearing it straight from William Hellfire, the mastermind behind SLR's operations, via email.

First off, how did the label get started?

I started Severed Lips Recordings with Scott Beattie, aka Agent 78, in 1992 when we were 19 years old. Scott and I had just started playing music together and called our band Gerbil Church. The music we played was just our two Vantage guitars blasted through crappy, failing vintage amplifiers, no drummer or bassist.

I was also reworking a small set of Big Black-inspired noise rock songs and through an old band mate met Eddie Blade, whose solo agro/industrial recordings were amazing by any 4 track demo standard. I invited Todd and Eddie to learn the songs and record with me over at my basement HQ. When they got to my place, they popped a hit of LSD in my mouth. The session didn't go as planned-- instead, it was hijacked by a brand new creation, "DISCO MISSILE." Scott and I decided to take all the boom box and live recordings from these bands as well as the new Disco Missile cassette and start releasing them. We made our first release with personalized covers consisting of retro wrapping paper, string, ink, oregano, cinnamon all kinds of bits and bobs, Xerox, pen, crayon. I think we may have sold and given away about 20 or so in total.

December 1992 was the initial release party. I had also created releases out of recordings of an acid trip I took in my room with my cat and my friend Ruby Honeycat’s childhood audio tapes with her friends, which consisted of a bunch of 5 year olds talking about dinosaurs and singing kid songs that made no sense. Anything I could find with original audio on it, I just made up a band name and cover for and tried to sell it.

My friends and I were very small-town and naive, and in that naive thinking had come a lovely purity. The sensibilities were childish and devilish, sweet and sadistic; we were naive anarchists not just rebelling against the political establishments but the whole ideal of reality and the homogenized art world, the corporatized social structure. Around 1989, everything started to go bad. There was very little happening and the stream of consciousness was getting thinner and thinner.

It was "mall culture" and MTV, and the minute something good would squeak its way in, there were corporate clones of it. Punk rock, the last stand of decency in the world, was being homogenized for the mall market. It was getting hard to breathe. We had to entertain ourselves--create our own music, our own culture and our own fun.

Severed Lips Recordings cassettes were $4 each. Basement shows were $2-3 bux donation, and we rented out a legion hall in butler for--get this--$65 bux! $3 dollar admission. Can't beat that. We baked cookies and made Jell-O, served coffee with cassettes and played noisy and fuzzy caricatures of psychedelic punk rock. Then in 1996, SLR started going outside the legion hall and basement and began to frequent Connections in Clifton NJ, Continental, Coney Island High and CB’s NYC.


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lizziedavis on 08/04/2012 at 03:00PM

The Lost Devilcore Hits of Severed Lips Recordings

photo

Severed Lips Recordings was a cassette label which operated out of a basement in Ringwood, NJ from 1992-2000. Somehow, their catalog of horror garage gems from an incestuous roster of artists has managed to stay under the radar, a rare feat in the "information age."

The fascinating story of Severed Lips Recordings is inspiring to anyone who's been involved in a fringe DIY community. I had the pleasure of hearing it straight from William Hellfire, the mastermind behind SLR's operations, via email.

First off, how did the label get started?

I started Severed Lips Recordings with Scott Beattie, aka Agent 78, in 1992 when we were 19 years old. Scott and I had just started playing music together and called our band Gerbil Church. The music we played was just our two Vantage guitars blasted through crappy, failing vintage amplifiers, no drummer or bassist.

I was also reworking a small set of Big Black-inspired noise rock songs and through an old band mate met Eddie Blade, whose solo agro/industrial recordings were amazing by any 4 track demo standard. I invited Todd and Eddie to learn the songs and record with me over at my basement HQ. When they got to my place, they popped a hit of LSD in my mouth. The session didn't go as planned-- instead, it was hijacked by a brand new creation, "DISCO MISSILE." Scott and I decided to take all the boom box and live recordings from these bands as well as the new Disco Missile cassette and start releasing them. We made our first release with personalized covers consisting of retro wrapping paper, string, ink, oregano, cinnamon all kinds of bits and bobs, Xerox, pen, crayon. I think we may have sold and given away about 20 or so in total.

December 1992 was the initial release party. I had also created releases out of recordings of an acid trip I took in my room with my cat and my friend Ruby Honeycat’s childhood audio tapes with her friends, which consisted of a bunch of 5 year olds talking about dinosaurs and singing kid songs that made no sense. Anything I could find with original audio on it, I just made up a band name and cover for and tried to sell it.

My friends and I were very small-town and naive, and in that naive thinking had come a lovely purity. The sensibilities were childish and devilish, sweet and sadistic; we were naive anarchists not just rebelling against the political establishments but the whole ideal of reality and the homogenized art world, the corporatized social structure. Around 1989, everything started to go bad. There was very little happening and the stream of consciousness was getting thinner and thinner.

It was "mall culture" and MTV, and the minute something good would squeak its way in, there were corporate clones of it. Punk rock, the last stand of decency in the world, was being homogenized for the mall market. It was getting hard to breathe. We had to entertain ourselves--create our own music, our own culture and our own fun.

Severed Lips Recordings cassettes were $4 each. Basement shows were $2-3 bux donation, and we rented out a legion hall in butler for--get this--$65 bux! $3 dollar admission. Can't beat that. We baked cookies and made Jell-O, served coffee with cassettes and played noisy and fuzzy caricatures of psychedelic punk rock. Then in 1996, SLR started going outside the legion hall and basement and began to frequent Connections in Clifton NJ, Continental, Coney Island High and CB’s NYC.


READ MORE
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Uncle_Dracula on 06/04/2012 at 01:14AM

Backyard Mosh

This one's a good-time punk party to make those old teenagers dizzy and sweaty again... hell, it's for you teens attenuated by nowadays too! Turn it up, let's slam, pogo, and lose control. Here's a house full of punks ready for volume, Ma & Pop are away for the weekend, goodbye lawn! A full listen will result in cold pizza for tomorrow's breakfast.

-Uncle Dracula

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Uncle_Dracula on 04/21/2012 at 10:22PM

Record Store Day @Flipside II!

On display in store, a framed "GOLD" record of Creeping Pumpkins/Gillmen split 7", plaque reads "Over 25 Served"

Despite the sun, Uncle Dracula made it out to Flipside II Records in Pompton Lakes, New Jersey. I checked out the special releases for the holiday, but wasn't really interested in any of them (well, the live Devo one is still on my mind, but I already reached my $ limit!). Flipside has a great selection, and the best prices that I have seen, including $1, $3, and $5 sections where you will always find lps clearly worth more. There are many gems still to be found there! Dan, the owner is really friendly, and knowledgeable, and played bass in Creeping Pumpkins.

Check out their groovy track "Move".

Flipside II Records 120 Wanaque Ave. Pompton Lakes, NJ 07442

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