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cheyenne_h on 02/25/2016 at 11:33AM

"Upsidedown Cross" Soundtrack Release: FMA Exclusive

excerpt from an image on IMDB.

[Guest blog entry from Wiliam Hellfire]

From controversial filmmaker William Hellfire (Duck! The Carbine High Massacre, Devil’s Bloody Playthings and Curator of Severed Lips Recordings on FMA) comes a shocking new film starring David Yow (The Jesus Lizard), Erin Russ (Porkchop), Tina Krause (Bad Biology) and adult film star Rick Savage - UPSIDEDOWN CROSS. Abandoned, abused by the police and in the throes of withdrawal, Nadine, a drug addicted young prostitute, returns to her childhood home and the mother she ran away from. Nadine's mother, Delilah; a fanatical Christian who believes demons have possessed her daughter, searches for a cure for Nadine's erratic behavior. When she finds a rogue preacher willing to exorcise her daughter for a fee, neither realizes they have invited the devil into their home. While her mother turns a blind eye to the bizarre practices unfolding in her own home, Nadine, wracked with mental and physical pain, has no choice but to put up with the preacher's increasingly violent charade. This collector's edition of Upsidedown Cross contains an illustrated Chick Tract by successful notorious underground comic artist Mike Diana, Print run is limited to 1,000 copies!

The soundtrack is only available on the Free Music Archive, and includes music by:
Mike Hunchback (Hunchback, Screeching Weasel)
Miranda Taylor (Hunchback, Black Wine)
Jeff Schroeck (Erggs)
Craig Mileski (Hunchback, Blank Dogs)
David Yow (Jesus Lizard, Scratch Acid)
T.S. McBride (Smokestack, Starless, Saturday Man)
William Hellfire (Currator Severed lips Recordings, Ghidorah!, Tyrannosaurs Dracula)
And Tyrannosaurus Dracula

Download or listen here: Upsidedown Cross Soundtrack

DVD release party with cast and crew at Forbidden Planet, 832 Broadway, NYC. Feb 26, 2016. 7pm-9pm.

Click through for trailer (adult themes):

 


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dvd on 08/14/2012 at 12:00PM

MP3 of the Day: Tyrannosaurus Dracula, "Upsidedown Stars"

Tyrannosaurus Dracula, affectionately known as 'T-Drac' is "a molten melding of Acid Rock and Punk: Blue Cheer, Pentagram VS Black Flag, Birthday Party mixed in a rusty bathtub with beer, sloppy prog-rock and cheap magic tricks." (via

A project from William Hellfire (profiled here), expect dirty 4-tracked psych-blooze with a gut. Be sure to check out the whole compilation, Headphone Hospital, from SLR.

Tyrannosaurus Dracula on:

Free Music Archive | Soundcloud | Myspace 

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lizziedavis on 08/04/2012 at 03:00PM

The Lost Devilcore Hits of Severed Lips Recordings

photo

Severed Lips Recordings was a cassette label which operated out of a basement in Ringwood, NJ from 1992-2000. Somehow, their catalog of horror garage gems from an incestuous roster of artists has managed to stay under the radar, a rare feat in the "information age."

The fascinating story of Severed Lips Recordings is inspiring to anyone who's been involved in a fringe DIY community. I had the pleasure of hearing it straight from William Hellfire, the mastermind behind SLR's operations, via email.

First off, how did the label get started?

I started Severed Lips Recordings with Scott Beattie, aka Agent 78, in 1992 when we were 19 years old. Scott and I had just started playing music together and called our band Gerbil Church. The music we played was just our two Vantage guitars blasted through crappy, failing vintage amplifiers, no drummer or bassist.

I was also reworking a small set of Big Black-inspired noise rock songs and through an old band mate met Eddie Blade, whose solo agro/industrial recordings were amazing by any 4 track demo standard. I invited Todd and Eddie to learn the songs and record with me over at my basement HQ. When they got to my place, they popped a hit of LSD in my mouth. The session didn't go as planned-- instead, it was hijacked by a brand new creation, "DISCO MISSILE." Scott and I decided to take all the boom box and live recordings from these bands as well as the new Disco Missile cassette and start releasing them. We made our first release with personalized covers consisting of retro wrapping paper, string, ink, oregano, cinnamon all kinds of bits and bobs, Xerox, pen, crayon. I think we may have sold and given away about 20 or so in total.

December 1992 was the initial release party. I had also created releases out of recordings of an acid trip I took in my room with my cat and my friend Ruby Honeycat’s childhood audio tapes with her friends, which consisted of a bunch of 5 year olds talking about dinosaurs and singing kid songs that made no sense. Anything I could find with original audio on it, I just made up a band name and cover for and tried to sell it.

My friends and I were very small-town and naive, and in that naive thinking had come a lovely purity. The sensibilities were childish and devilish, sweet and sadistic; we were naive anarchists not just rebelling against the political establishments but the whole ideal of reality and the homogenized art world, the corporatized social structure. Around 1989, everything started to go bad. There was very little happening and the stream of consciousness was getting thinner and thinner.

It was "mall culture" and MTV, and the minute something good would squeak its way in, there were corporate clones of it. Punk rock, the last stand of decency in the world, was being homogenized for the mall market. It was getting hard to breathe. We had to entertain ourselves--create our own music, our own culture and our own fun.

Severed Lips Recordings cassettes were $4 each. Basement shows were $2-3 bux donation, and we rented out a legion hall in butler for--get this--$65 bux! $3 dollar admission. Can't beat that. We baked cookies and made Jell-O, served coffee with cassettes and played noisy and fuzzy caricatures of psychedelic punk rock. Then in 1996, SLR started going outside the legion hall and basement and began to frequent Connections in Clifton NJ, Continental, Coney Island High and CB’s NYC.


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lizziedavis on 08/04/2012 at 03:00PM

The Lost Devilcore Hits of Severed Lips Recordings

photo

Severed Lips Recordings was a cassette label which operated out of a basement in Ringwood, NJ from 1992-2000. Somehow, their catalog of horror garage gems from an incestuous roster of artists has managed to stay under the radar, a rare feat in the "information age."

The fascinating story of Severed Lips Recordings is inspiring to anyone who's been involved in a fringe DIY community. I had the pleasure of hearing it straight from William Hellfire, the mastermind behind SLR's operations, via email.

First off, how did the label get started?

I started Severed Lips Recordings with Scott Beattie, aka Agent 78, in 1992 when we were 19 years old. Scott and I had just started playing music together and called our band Gerbil Church. The music we played was just our two Vantage guitars blasted through crappy, failing vintage amplifiers, no drummer or bassist.

I was also reworking a small set of Big Black-inspired noise rock songs and through an old band mate met Eddie Blade, whose solo agro/industrial recordings were amazing by any 4 track demo standard. I invited Todd and Eddie to learn the songs and record with me over at my basement HQ. When they got to my place, they popped a hit of LSD in my mouth. The session didn't go as planned-- instead, it was hijacked by a brand new creation, "DISCO MISSILE." Scott and I decided to take all the boom box and live recordings from these bands as well as the new Disco Missile cassette and start releasing them. We made our first release with personalized covers consisting of retro wrapping paper, string, ink, oregano, cinnamon all kinds of bits and bobs, Xerox, pen, crayon. I think we may have sold and given away about 20 or so in total.

December 1992 was the initial release party. I had also created releases out of recordings of an acid trip I took in my room with my cat and my friend Ruby Honeycat’s childhood audio tapes with her friends, which consisted of a bunch of 5 year olds talking about dinosaurs and singing kid songs that made no sense. Anything I could find with original audio on it, I just made up a band name and cover for and tried to sell it.

My friends and I were very small-town and naive, and in that naive thinking had come a lovely purity. The sensibilities were childish and devilish, sweet and sadistic; we were naive anarchists not just rebelling against the political establishments but the whole ideal of reality and the homogenized art world, the corporatized social structure. Around 1989, everything started to go bad. There was very little happening and the stream of consciousness was getting thinner and thinner.

It was "mall culture" and MTV, and the minute something good would squeak its way in, there were corporate clones of it. Punk rock, the last stand of decency in the world, was being homogenized for the mall market. It was getting hard to breathe. We had to entertain ourselves--create our own music, our own culture and our own fun.

Severed Lips Recordings cassettes were $4 each. Basement shows were $2-3 bux donation, and we rented out a legion hall in butler for--get this--$65 bux! $3 dollar admission. Can't beat that. We baked cookies and made Jell-O, served coffee with cassettes and played noisy and fuzzy caricatures of psychedelic punk rock. Then in 1996, SLR started going outside the legion hall and basement and began to frequent Connections in Clifton NJ, Continental, Coney Island High and CB’s NYC.


READ MORE
Via Free Music Archive » Visit Blog » 0 COMMENTS Share
Uncle_Dracula on 06/04/2012 at 01:14AM

Backyard Mosh

This one's a good-time punk party to make those old teenagers dizzy and sweaty again... hell, it's for you teens attenuated by nowadays too! Turn it up, let's slam, pogo, and lose control. Here's a house full of punks ready for volume, Ma & Pop are away for the weekend, goodbye lawn! A full listen will result in cold pizza for tomorrow's breakfast.

-Uncle Dracula

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