“Revitalize Music Contest” (Used 4 times)
ange on 04/30/2013 at 03:53PM
For this month's Revitalize Music Contest, artists from Lisbon to Austin dug through public domain songs, got inspired, and submitted their creations to our contest repository. Our talented judges from the music, radio, and public domain worlds loved hearing the wide range of incredible entries, but eventually had to select a winning song.
OUR WINNER IS CROWN THE INVISIBLE
Crown the Invisible created an incredible power pop rendition of the 1911 revenge anthem "The Spaniard That Blighted My Life" by Billy Merson. The song tells the story of a man whose girl is charmed away by a Spanish bullfighter.
'Twas at the bull fight where we met him
We'd been watching his daring display
And while I went out for some nuts and a programme
The dirty dog stole her away
The band's been around for about a year, and are a blend between a studio compositional project and a raucous psychedelic band. They are all grizzled rock dudes who live and work in East Williamsburg warehouses, where they've been cultivating their space/stoner rock sound. They describe their band as "if Rick Wakeman played with Ride, but the songs were written by The Pretty Things while they watched Planet of the Apes and listened to Hawkwind." That is to say, they all grew up on early '90s and '60s British stuff.
TAKING A SONG FROM 1911 AND MAKING IT SOUND 2013
When the band began working on their arrangement they describe the process as "vibe hunting." There was a lot of stomping and clapping involved, which is how they ended up deciding to keep the waltzy 3/4 time signature without over-emphasizing it. This also how they found the song's distinctive sound, a swirling whistle made by playing a hammond organ sample on a keyboard through a guitar amp.
During this process, singer CG Foisy says he kept waking up in the middle of the night with the lyrics stuck in his head. He says it's a terrible song to have in your head because, "it's cheeky, evil and weird. It's a portal into male territoriality. How men are these vindictive monkeys."
Overall, the challenge was good practice for the band. This summer CG is traveling to Beijing, where he'll play a few shows, and then spend a week traveling the silk road looking for music along the way. What he finds will eventually be adapted into song challenges for the band. Whenever he travels, CG loves to pick up a new instrument. You can even hear (kinda) one of these instruments in the winning song. It's an Indian instrument he bought in Singapore called the gopichand. It sounds part sitar, part mouth harp.
Participating in the contest speaks to the bands' interests in being part of a community through their music. Some bands get really into making an album, then going on tour, then making another album, then going on another tour, and hoping to be signed by a label. CG says, "That works well for some bands, but other bands like to take on weekly assignments, making videos and vignettes, and to have different kinds of conversations with their fans."
Crown the Invisible includes Jared Barron, CG Foisy, Steve Schwadron, with a guest appearance in this recording by Gabriel Berezin on bass. Check out their summer series Fantastic Planet, which installs different bands in different warehouses, merging live noise rock with visuals. You can also see them play live on May 9th at Don Pedro (90 Manhattan Avenue), where they might be performing their winning song.
ange on 04/23/2013 at 08:44AM
Bring the public domain into the future! This April, WFMU and the Free Music Archive are challenging artists everywhere to create new recordings and contemporary arrangements of historic compositions available in the public domain. We’re calling this our Revitalize Music Contest.
Every song (except for perhaps "Happy Birthday") will someday fall out of copyright. Archives such as the IMSLP/Petrucci Music Library, Musopen and the Public Domain Information Project chart the vast and ever-expanding troves of public domain music. Participants in our Revitalize Music Contest will help bring these works to life by creating new recordings, and feeding them back into the public domain.
To inspire entries, we’ve handpicked a selection of out-of-copyright songs with compelling lyrics, beautiful melodies, and unusual stories. Keep in mind that unless materials are listed in our contest repository, the recordings of performances we link to are still within the scope of copyright. After learning about the songs and contest rules here below, you can browse our pool of entries.