“Rb” (Used 9 times)
MC_Cullah on 05/09/2018 at 12:18PM
Why, man he doth bestride the narrow world like a “Cullahsus”; and we petty men walk under his huge legs and peep about to find ourselves dishonorable graves.
With his aptly named brand new genre-transcending album of Cullahsus, Cullah takes us back to his roots (Well, as "roots" as it gets for a 27-year-old who has already released 12 albums). His powerful voice, funky beats, and that Milwaukee melodic spirit that never left now accompanies every song. Budgeting his food solely from the small amount money he makes from Spotify since he has refused to fully commercialize his music; he declares his resolute spirit through “King Jebediah (The Falcon Messiah)”. The themes infused the album are a lack of control of circumstances to a larger benevolent beast. In Cullah’s case, King Jebediah seems to be the music itself that he creates and is provided by.
This is the first year that he has been able to concentrate his efforts solely on creating his music. Unhindered by other responsibilities, in “Hurrycane” and “Helios 3” he seems to be both overwhelmed and liberated in the storms and boundless space of creativity. Despite these new joys and pains, a bit of the previous “Cullahmity” album influences “Cullahsus”. A heartbroken Irish trill echoes in “The Grief of Ceridwen” illustrating the loneliness that comes with the freedom expressed in his other songs.
Find out more on his website: http://cullah.com
kademlia on 03/20/2014 at 12:30AM
Ain’t music produced better than with love?
This probably is the mantra of rising urban group Ain’t No Love, which, after wowing indie music fans with slicker-than-slick tunes via their self-titled EP, returns to FrostClick and FrostWire with a slightly moody yet incredibly delicious Tears of Joy.
Spreading their trademark “renegade pop” to audiences of other crowd-pleasers such as Iggy Azalea, Steve Aoki, and Calvin Harris, you bet your judgmental auditory senses that Saidah, Beanz, and 1990 aren’t amateurs – something that over 116,500 downloads of their first FrostWire feature Ain’t No Love EP can definitely attest to.
CJSW_Music on 07/08/2013 at 10:30PM
The voice of Alana Stuart glides around and through beats by Pho as Bonjay takes you on a ride through dancehall, R&B, and electronica. As you listen, you can hear influences from all over the globe, picking out rhythms from Africa and the Caribbean with the pop and rock influences of North America and Europe. They’re a high-octane experience, and they’re not quite like anything else. Other bands have tried to sound like what’s happening in New York, London or Los Angeles, but Bonjay’s put Ottawa on the map.