“Rap” (Used 99 times)
EncryptedScrolls on 06/16/2018 at 05:12AM
The 3rd album to Encrypted Scrolls is in production and the first track was released on freemusicarchive today. Now that the introduction has been done from the previous two albums, Tony is able to expand and experiment with alternative flows. His voice and production style is greatly increasing with every track and this album is gearing up to be a powerful addition to the Encrypted Scrolls line of music.
MC_Cullah on 05/09/2018 at 12:18PM
Why, man he doth bestride the narrow world like a “Cullahsus”; and we petty men walk under his huge legs and peep about to find ourselves dishonorable graves.
With his aptly named brand new genre-transcending album of Cullahsus, Cullah takes us back to his roots (Well, as "roots" as it gets for a 27-year-old who has already released 12 albums). His powerful voice, funky beats, and that Milwaukee melodic spirit that never left now accompanies every song. Budgeting his food solely from the small amount money he makes from Spotify since he has refused to fully commercialize his music; he declares his resolute spirit through “King Jebediah (The Falcon Messiah)”. The themes infused the album are a lack of control of circumstances to a larger benevolent beast. In Cullah’s case, King Jebediah seems to be the music itself that he creates and is provided by.
This is the first year that he has been able to concentrate his efforts solely on creating his music. Unhindered by other responsibilities, in “Hurrycane” and “Helios 3” he seems to be both overwhelmed and liberated in the storms and boundless space of creativity. Despite these new joys and pains, a bit of the previous “Cullahmity” album influences “Cullahsus”. A heartbroken Irish trill echoes in “The Grief of Ceridwen” illustrating the loneliness that comes with the freedom expressed in his other songs.
Find out more on his website: http://cullah.com
ToussaintMorrison on 01/14/2016 at 07:24PM
Right now, I am absolutely stumped at what to write in explanation of uploading my label’s entire music catalogue to the Free Music Archive. I’ve sat here for at least 20 minutes in a Minneapolis coffee shop, damn bewildered at where to start, or even the intonation to take with this piece.
When I booked my first tour with The Blend, back in 2005, I bought as many blank CDs as possible to mail out to each city we planned to hit. Each CD had a flier stapled to its case, and was distributed by a coffee shop or friend willing to prop them up in a visible spot, or hand out. With that maneuver, we were able to pull a fan-base that had never seen us before, but had heard our sound. The simplicity of giving our music out for free, created an invaluable ripple effect across the country. Soon, as myspace, facebook and other social media sites arose to prominence, we were able to stream our music to anyone that happened to cross our site. Now, I know how way, way, way back this is. I mean, I just referenced myspace. Not the Justin-Timberlake-owned-newly-revamped myspace, but the original myspace with the user experience of a Neanderthal, and fonts worse than “Papyrus” or “Impact”.
Over the past decade, The Blend, and several other bands I’ve managed, have produced amazing music and then moved on to other projects. However, in an effort to preserve the integrity of these projects (or albums), I’ve sought to keep as much of the music alive online, as possible.
studio11 on 12/29/2015 at 12:57AM
"WELCOME TO CHI-RAQ"
The term Chi-Raq, now synonymous with Chicago street violence has drenched the media with attention following the December release of Spike Lee's Chicago based film Chi-Raq. The meaning of the word Chi-Raq, the fusion of Chicago and Iraq, may owe its origin to the assimilations the Chicago news media furnished in wake of the Iraq war - comparing war statistics to Chicago crime statistics. Moreover, Chi-Raq could have been born from Chicago gang presence in Iraq. In the realm of street poetry anything is game and it is only natural that these words embrace culture and news media. The word Chi-Raq is the street poet's spin on the news media's representation of the Chicago streets - and the Chicago street's presence in the Iraq war. Could this be a self-fulfilling prophecy? We may never know, but the facts are the facts and one things for sure; the word is old - at least 10 years old. Here's the story of the word of the world of the Dollar Boyz. "Welcome to Chi-Raq".
Let's rewind in time to the year 2005. The Iraq war had been front page news for years. With countless troops returning to Chicago a strong connection between the regions existed. Many soldiers returned to find home in just as critical shape as the war torn world in Iraq. A massive overhaul on Chicago's housing projects forced many from their dwellings, opening a new wave of turmoil in the city. Change is rough in light of city politics, media, and gentrification. The term Chi-Raq was an inevitable conclusion in street rap music, born of the streets of Chicago, and best exhibited by the Dollar Boyz series of albums/mixtapes "Welcome To Chi-Raq" first released in early 2006.
"I remember clear as day the word Chi-Raq spilling out of the microphone at Studio 11 in the throws of the Iraqi war. It may have popped up here and there - as we had a ton of rappers returning home from war at the time, but the real statement came with the Dollar Boyz first mixtape hosted by D.J. Pharris with the powerful 'Welcome To Chiraq' intro. That record is the best early example of the use of the term" - Notes (Engineer/Producer - Studio 11)
In the midst of the recent 'Chi-Raq' clamor we received a call to the studio. "Yo! This is Caine from the Dollar Boyz, we came up with that Chiraq shit in 2005. You guys still got all the files over there?" At Studio 11 we keep a database of almost 20 years of material ranging from analog storage mediums, CD ROMS, DDS tapes, through DVD's - of which total around 7000 pieces. Needless to say, an album is a needle in a haystack. Fortunately, all DVD data is in updated databases. We told 'Caine' we'd give it a look. We had never really considered that the word Chi-Raq had in effect originated at any particular point. But a bit of digging found the earliest Dollar Boyz recordings at Studio 11 to be from 2005-2006. Namely their album/mixtape "Welcome To Chi-Raq" Volume 1 featuring rappers Caine, White, and Cash and hosted by acclaimed Power 92.5 WPWX Chicago D.J. Pharris.
While Spike Lee may have brought the term Chi-Raq to the mainstream in 2015, and King Louie may claim to have coined Chiraq in 2009, the origin of the term Chi-Raq is best exemplified in the Dollar Boyz series of releases, "Welcome To Chi-Raq" Volumes 1-3 stemming from the mid-2000's and the Iraqi war. These volumes are stacked to the CD's edge with hard hitting Chicago beats and street rhymes. At the 74 minute brim of a CD's length they are the reminder that Chi-Raq is about word play and reflection - tales of the world at hand.
Our blessings go out to King Louie in lieu of his recent tragedy. He has been an active recording artist at Studio 11 for many years. We wish him well in his recovery. One of our studio favorites featuring King L can be found HERE. Studio 11 does not condone street violence in any way. Rather we promote artistic expression as the best possible means to channel energy. We wish for a better, safer, and more honest Chicago in the future - clad through constructive, educational, and artistic outlets.
Killa_Conscious on 09/27/2015 at 01:34PM
Peace love and all of the above!
Support the artists with a listen and some kind words or not so kind words, thank you!