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cheyenne_h on 10/14/2015 at 12:32PM

Radio Free Culture #61: Radio Survivors, Part 1 with Paul Riismandel & Eric Klein

Image courtesy of Paul Riismandel (left) and Eric Klein (right). Used with permission.

WFMU and the Free Music Archive are proud to bring you a fresh episode of Radio Free Culture, a bi-weekly podcast exploring issues at the intersection of digital culture and the arts.

In this episode, Cheyenne Hohman, RFC host and current Director of the FMA, spoke to Paul Riismandel and Eric Klein of Radio Survivor about podcasting, webcasting, and terrestrial radio... and a bit about how they are all coexisting in the current media landscape. This is part 1 of 2, so the next installment will come out on Thursday, October 29.

Check out the podcast at WFMU, PRX, or subscribe to the Radio Free Culture on iTunes... or listen below!

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theradius on 04/01/2015 at 05:30PM

Radius PATCH 11: Improvisation

PATCH is a series of curated playlists selected from the Radius episode archive. Each playlist is organized around a specific topic or theme that engages the tonal and public spaces of the electromagnetic spectrum. PATCH serves as a platform to illuminate the questions, concerns, and complexities of and within radio-based art practices.

Episode 12: HMBKR

Radio Majesty documents the first meeting of four Vancouver-based audio artists who explore the frequency spectrum through real-time digital signal processing, unconventional tuning systems, and free improvisation. Radio Majesty was originally intended as a remote public performance via webcast for RadiaLx Festival in Lisbon, Portugal. It was also recorded privately at VIVO Media Arts Centre in Vancouver, Canada.


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theradius on 01/05/2015 at 10:00AM

Radius PATCH 10: Unconscious

PATCH is a series of curated playlists selected from the Radius episode archive. Each playlist is organized around a specific topic or theme that engages the tonal and public spaces of the electromagnetic spectrum. PATCH serves as a platform to illuminate the questions, concerns, and complexities of and within radio-based art practices.

Episode 22: Public Domain

Public Domain takes after its name sake, the public domain, and views, manipulates, edits, and comments on material found within it. Public Domain uses material from radio, records and the internet. The work often mirrors the collective unconscious through the use of voyeurism and dark humor. The resulting work is a collage of reality, time, and experiences. Public Domain uses collage and montage to reflect upon the things they love, and simultaneously place them in ridicule. Various elements are produced to fit together smoothly, whereas other clash. The discrepancies convey an impression of a heterogeneous assemblage; a careful randomness of disparate elements and collisions. The work critiques the uses of the public domain and plays with the endless juxtaposition of media.


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theradius on 10/07/2014 at 11:00AM

Radius PATCH 09: Narrative

PATCH is a series of curated playlists selected from the Radius episode archive. Each playlist is organized around a specific topic or theme that engages the tonal and public spaces of the electromagnetic spectrum. PATCH serves as a platform to illuminate the questions, concerns, and complexities of and within radio-based art practices.

PATCH 09: Narrative

Episode 14: Sara Pinheiro

Quem Conta Um Conto, II is a study in narrative, Pinheiro’s main subject of research. The individual sounds in the piece grow as characters, based on film theorist Chris Vogler’s twelve stages of the Hero’s Journey. Pinheiro juxtaposes sound spaces to join together disparate times and places; she ignores the physical impossibilities of their junction in order to potentiate the conflict that can emerge from their friction.


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theradius on 08/04/2014 at 07:49PM

Radius PATCH 08: History

PATCH is a series of curated playlists selected from the Radius episode archive. Each playlist is organized around a specific topic or theme that engages the tonal and public spaces of the electromagnetic spectrum. PATCH serves as a platform to illuminate the questions, concerns, and complexities of and within radio-based art practices.

PATCH 08: History

Episode 03: Andy Ortmann

The Nanking Massacre or Nanjing Massacre, also known as the Rape of Nanking, was a mass murder and war rape that occurred during the six-week period following the Japanese capture of the city of Nanjing (Nanking), the former capital of the Republic of China, on December 13, 1937 during the Second Sino-Japanese War. During this period, hundreds of thousands of Chinese civilians and disarmed soldiers were murdered and 20,000-80,000 women were raped by soldiers of the Imperial Japanese Army. In anticipation of the 75th anniversary of the Massacre, Ortmann constructed a three hour piece of electronic music to in some minor way, reflect on and/or interpret the inhumanity and abominable brutality of which humans are capable.


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KRCC Song of the Day picks
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Headstand FMA Special January 2012
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Headstand 2012 End of Year Mix
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