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LCL on 08/01/2014 at 08:03AM

Mastermind XS longly awaited LP is out !

 

 

After 3 years of studio works, MAstermind XS deliver their new LP.
10 tracks from reggae to punk thru electro and d'n'b, and of course a serious dose of dub !
Mastered by Celt Islam, this manifesto for freedom raises the flag of conciousness...

 

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TAGGED AS:
dnb, dub, indie, punk, reggae
NaCaraeCoragem on 07/30/2014 at 02:39PM

#PartiuVilaCarolina

  A Na Cara & Coragem produções está organizando sua terceira coletânea da série “#Partiu” e convida a todos os interessados a participar e este ano o Homenageado será a Banda Cólera  e será lançado Online no dia 13 de Dezembro em diversos canais distintos na Internet.

 


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wmmberger on 05/31/2014 at 03:37AM

Coffin Nail Kickout; Through Thorn and Brier LIVE on My Castle of Quiet, 5.7.2014

Wm. Berger / Tracy Widdess

WFMU, among a great many other things, is about community, i.e., presenting and promoting local musicians / artists / humorists, in addition the great International performers we present. My Castle of Quiet has always been about the business of seeking out exceptional local musicians, and it doesn't get too much more local for us than Through Thorn and Brier, their craft honed in our shared County of Hudson, NJ. At one time, WFMU's staff was chock-full of NJ-bred radio personalities, many of whom lived and or passed through nearby Bayonne, including late-great broadcasters and good friends of mine, Terry Folger and Frank "Vanilla Bean" Balesteri, both of them taken from us way too soon. Bayonne borders directly on WFMU's home town of Jersey City, and offers great pizza, good bars and a decent standard of living for a largish NJ city. All that considered, if you told me that Bayonne had bred a strong, talented, one-of-a-kind punk / metal band, I still might have doubted the veracity of your claim, not sure why though. That is, right up until the first time I heard Through Thorn and Brier.

Originally stumbling upon their songs on bandcamp, in a position I now often find myself in, checking out a band that I missed live for no good reason except that I generally like to stay home. Sporting twin brothers on vocals and guitar, amidst a mighty, accomplished lineup, TTAB play a threatening, driven brand of metal-infused punk music, with arcing guitar melodies, swinging, thudding riffs, and ominous, almost tribal beats; add roaring vocals and a general mood of rolling with reckless abandon. If punk-metal hybrid bands can be "catchy," TTAB certainly ARE, their riffs immediately inspiring head swirling; one of those physically motivating bands that make me wish that I had long, straight, flowing hair to swing in time. 

Every Through Thorn and Brier song is something like a mini-suite, blasting through multiple inspiring riffs and you-must-pay-attention time signatures in a matter of minutes, taking you on a ride you can't fully absorb the first time, and isn't that the way? Shouldn't a band's numbers be such that new pleasures reveal each time you listen?

Call them screamo (don't!), call them hardcore, or metal—all those genre labels quickly dissolve in the hands of the best of bands—and TTAB's songs cover a wild breadth of punk and metal styles with purpose and ease, such that the hops are never gratuitous and always contribute quite naturally to the sum of their parts.

I was very pleased to present this excellent band, well-deserving of more widespread notoriety, as evidenced here. (Note: Where songs were played without a complete stop in between, they are presented here as such, i.e., tracks 1 and 3 consist of three songs apiece.)

Thanks and much appreciation must go to engineer Juan Aboites, for working his ass off, and making everything sound full and ferocious. Thanks too, to Tracy Widdess of Brutal Knitting, who for maybe the 100th time, pieced together a handsome band portrait from my miserable iPhone captures.

You can hear the Good Grief EP and Failure Prone MLP (both worth owning) and purchase hard copy of the same at Through Thorn and Brier's bandcamp page. There, you'll also see their use of non-typical, decidedly un-metal imagery, a move well appreciated by this DJ / writer. Also visit ttabhc.com for more up-to-date band info.

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Boston_Hassle on 05/05/2014 at 06:00PM

Bugs and Rats are from Quincy, MA and you probably haven't heard their heavy & loud amazing record: Adidas

You know that one great band that always ends up playing with a ton of shitty bar bands? You know when you go out to some dive bar with your friends and there are some crappy metal bands playing the stage, and then all of the sudden one act comes up and is legitimately gnarly, but no one really pays attention because it goes over there heads? For years, this was Bugs and Rats, from Quincy, MA. It’s not a surprising thing when you see Quincy. It’s a small town outside of Boston, not known for any sort of booming music scene. Perhaps it was the lack of music scene that helped Bugs and Rats ooze to fruition.

The boys; Shawnie Brando, Kellzo, and Radek Weirzbowski, started writing and playing music together in 2003. Influenced by the hardcore scene and bands like Godflesh, Nirvana and Eyehategod, the band's early sound was a mix of simple song structures, repetitive hooks and vocals akin to some sort of dog being strangled. The first release, 2004’s Smart as a Whip was (according to Brando) met with little interest from the Quincy bar band and metal 'scene.' Bugs and Rats were not really playing punk, they were not really playing metal, there weren’t really playing rock. It was hard to pin-point what they were doing.

- Rory MacMurdo

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Boston_Hassle on 05/05/2014 at 06:06AM

MARTY KINGS - XVII (TUNNEL OF LOVE's Andy MacBain quietly releases juggernaut of a solo garage punk-pop record)

photo by John Doherty

If ever there was a quintessential garage rock monster of Massachusetts, who haunts and wreaks music havoc on it's denizens across generations, suggesting some type of immortal rock quality about him.. it is Andy Macbain. Boston is lucky to have such a character. Macbains initial fuzzy footprint was left by the humungous chucks of TUNNEL OF LOVE. Ten years ago it was Tunnel Of Love instilling fear in the hearts of young Bostonians, those who dared to venture into the basement. In recent past Macbain has been stirring up shit with his trio THE MONSIEURS who (at least for those who don't remember TOL) are IT for nasty garage pop in Boston. But this project? This is a project - The Marty Kings - Macbain's latest solo venutre is a testament to why this guy needs no one. He will always be a monster of gnarly rock and roll glory and you know it'll be true because it won't matter who is around to participate or witness, Macbain will be not be stopped. People need to hear this and if need be, follow the man into hell.

- Sam Potrykus

 

 

 

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