“Public Domain” (Used 29 times)
cheyenne_h on 03/20/2017 at 11:57AM
Monplaisir is a man of many bands, and if you've ever cruised through the Public Domain offerings at FMA, you're likely to have encountered a project or two of his! He is devoted to sharing his music as openly as possible with a CC0 license, which allows for any type of re-use, and is internationally recognized as being dedicated to the public domain. Of course, it doesn't hurt to give credit when you use a Public Domain track, but there are no limitations to what you can use this music for. You can find some "Best Of" tracks in this collection: "Let's Hear That Crap!"
FMA: Tell me about your music projects on the FMA - you have a few. (Monplaisir, Alpha Hydrae, Komiku, etc). Do they each represent a different style or approach to music?
Monplaisir: I've started producing music under the name of Alpha Hydrae and after few years the name became boring so I've changed to Monplaisir. Monplaisir is like my nickname for everything that fit in noise rock/folk, Komiku is dedicated for the soundtrack of videogames that don't exist which can have some similarities with work under the Monplaisir nickname, Demoiselle Döner is for harshnoise/remix/cold electro, BG du 72 is french noisy songs about love and kindness. With this, I've some bands, SUMMER, frontwave/noise rock, Cuicuitte, a brut folk band with my friend Otite Noire, Pas Dans Le Cul Aujourd'hui, a heavy noise & guitar band, U-Man, improvised french songs... All those names are different ways to approach the music and reach the flow.
FMA: Do you collaborate with others or do you prefer to make music alone?
Monplaisir: I love to collaborate with musicians and to do music alone. Doing music alone is really cool to make fast and precise music, but sometimes it's difficult to make new music because of the lack of chaos and influence. I often collaborate with musicians to do improvisation like in U-Man and Pas Dans Le Cul Aujourd'hui, it's sometimes a pain but really surprising and rewarding.
FMA: Where do you get ideas for songs and albums?
Monplaisir: Most of the time I get my ideas by trying to do the same kind of music as other bands I listen often (like Cindy Lee, Vampillia, Xinlisupreme, Natural Snow Buildings...). Also I love to have challenges, like, to produce a maximum of music in a short time (Baisers de Sonora was recorded in 26 hours for the FAWM2017), to only use one instrument or two, or like for my project Komiku to create a soundtrack for something that doesn't exist. And when I'm stuck, I look for new guitars and effect pedals.
FMA: Why do you choose to license your work with a CC0/Public Domain license?
Monplaisir: I've chosen the CC0 licence for multiple reasons. First, because I hate the copyright logo, a little C alone in a bubble, so sad. Second, for obvious political choices. I find the actual copyright in France and USA completely absurd. It's based in a philosophy I really don't like, an old individualist way of seeing the culture, which is really sad and greedy. So I want to participate to the alternative. I've seen how it's hard for some people to remix stuff for their own project because of copyright. If I can help to save other artists some time and money to express themselves, all the better. Also, I really don't care about what people do with my music, except when people are oppresive against other people and using my music to do so. I find that a bit rude.
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cheyenne_h on 04/28/2016 at 12:19PM
We know you've seen them floating around our pages... PUBLIC DOMAIN SONGS! But... then, you lose track, and they're hard to find again. Well, we updated our search filters to include CC0 content in our Public Domain results -- so now you can find all the Public Domain songs on FMA. These are either ones whose copyright has expired, a la Antique Phonograph Program, or songs which have been dedicated into the Public Domain using CC0, such as our Masters Remastered entries and microSongs, as well as some generous artists who want their music to be heard, shared, and used free of limitations!
To find these songs, just click on the "Public Domain" box at the bottom of our search filters. Currently, we have almost 1,500 of these tracks!
Are you interested in sharing your music with us under the Public Domain dedication? Get in touch.
TAGGED AS:public domain
cheyenne_h on 03/05/2015 at 04:45PM
Ever thought Wagner’s “Ride of the Valkyries” would be better as a speed-metal guitar solo? Or perhaps Tchaikovsky’s “1812 Overture” would sound great performed by a kazoo-and-firecracker ensemble? What about “In The Hall of the Mountain King” as a chiptune odyssey?
Great ideas, right?! We know.
We want these things to exist. And we need your help in this Masters Remastered Challenge!
First, choose a composition from the public domain. If you’re stumped (or can’t remember the original name of the composition), check the list below for some ideas. Though you can find sheet music in a variety of places, we recommend the Petrucci Music Library, which indicates public domain status of its contents. Entries will be released back into the public domain with a CC0 license, so that others can use them, too. But make these your own. Remix them, play them with instruments the composers couldn’t have dreamed of, make them as long or short as you want. Do as many (or as few) as you please.
Here are some recommended pieces you can extract from, re-work, play backwards, etc, that are in the US public domain. We've included links to the sheet music and at least one downloadable file that you can riff on:
Bach – Toccata & Fugue - listen here - archive.org - wikimedia
Beethoven – Symphony no. 9: Ode to Joy - listen here - wikimedia - freesound
Bizet – Toreador Song - listen here - wikimedia - archive.org
Grieg – In The Hall of the Mountain King - listen here - freepd - wikimedia
Offenbach – Orpheus in the Underworld - listen here - wikimedia
Ponichelli – Dance of the Hours - listen here - wikimedia (BY-SA)
Rossini – William Tell Overture - listen here - wikimedia
Tchaikovsky – 1812 Overture - listen here - wikimedia
Wagner – Ride of the Valkyries - listen here - archive.org
If you submit a song that isn’t on the list, please make sure it is in the public domain before you proceed. Submissions that are not in the public domain in the U.S. won't qualify for judging.
We'll accept entries from March 9 until April 3, 2015.
The Masters Remastered Challenge is supported in part by a grant from the National Endowment for the Arts.
cheyenne_h on 02/19/2015 at 09:00AM
WFMU and the Free Music Archive are proud to present a new season of Radio Free Culture, a weekly podcast exploring issues at the intersection of digital culture and the arts.
In this episode, Cheyenne Hohman, RFC host and current Director of the FMA, spoke with Nicky Case, a game developer who has chosen to license everything under CC0, a 'public domain' license available via Creative Commons. We talked about recent work, including the Coming Out Simulator, the Parable of the Polygons, the Public Domain Jam, and more!
TAGGED AS:nicky case, radio free culture, video games, creative commons, public domain, See More...
ange on 12/30/2013 at 03:00PM
Since the classic New Years Eve toasting tune Auld Lang Syne is in the public domain (unlike a certain other celebratory song), many of our Free Music Archive artists have shared their own unique versions for you to download and enjoy. Cheers to that!
The phrase "Auld Lang Syne" literally translates into "Old Long Since" but is meant to mean something like "days gone by" or "long, long ago."
Should old acquaintance be forgot,
and never brought to mind?
Should old acquaintance be forgot,
and old lang syne?
For auld lang syne, my dear,
for auld lang syne,
we'll take a cup of kindness yet,
for auld lang syne.
And surely you'll buy your pint cup!
and surely I'll buy mine!
And we'll take a cup o' kindness yet,
for auld lang syne.