“Psychedelia” (Used 27 times)
katya-oddio on 06/24/2016 at 08:00AM
Love the 1960s pop of the Beach Boys and Beatles? Then we highly recommend the brand new album CLOUDHEAD by Jamie Ward. This is a new favorite at Rancho Oddio.
This follow-up to 2015’s “I Am The Sun” shows Jamie Ward’s ability to push even further into a mixed bag of 1960’s inspired pop gems. Written, recorded, performed and produced by the artist, it is a more complex album in it’s songwriting and arrangements, tipping it’s hat to Brian Wilson’s modular recording style employed on “Pet Sounds” and the orchestral arrangements by George Martin on The Beatles middle period records, plus Phil Spectors layered “Wall Of Sound” technique. Elements of other 1960’s music makers including The Byrds, The Left Banke, The Rolling Stones, Harry Nillson and others are also honoured in this collection of original songs.
“CloudHead” was written as a concept album, a commentary on the disillusionment of a consumer driven existence based on the artists personal experience of transition between western society’s force-fed values and expectations to self-realization. The album represents a complete day in the life, starting with “Get Up!” and ending with “End Of The Day/Now That’s It’s Over”. It is a tribute to the dreamers, the “CloudHeads” of the world.
PS: If the voice sounds vaguely familiar, you may recognize Jamie Ward as the voice of that legendary children's artist, Uncle Neptune, a long-time favorite at both Kazoomzoom and Oddio Overplay.
sardanpavlov on 11/18/2013 at 06:45PM
Check out the most recent EP from Montreal imprint Jeunesse Cosmique co-proprietor Catherine Debard, a short collection of freeform ambient psychedelia featuring Eddie Wagner on the opening track. Debard also has a new A Sacred Cloud LP out with fellow JC co-proprietor Chittakone Baccam, currently available on LP via Jeunesse Cosmique after a successful cassette edition through Arachnidiscs Recordings.
emcecil on 06/16/2012 at 10:30AM
Martin Newell missed UK punk. Or, rather, it missed him. "I felt that punk was a party which had been partly my idea," he told me through recent e-mail correspondence, "but which I then ended up not going to because it was already too crowded."
He'd skirt the party's periphery some years later, through various in-roads in the late '70s and '80s, but he'd already been making music years before young, excited Brits would shrug off glam-rock hangovers and coalesce into their own units, such as the Damned, the Clash and, of course, the Sex Pistols.
Indeed, before glam flamboyance rolled over to punk's increasingly rabid trappings, Newell was already a seasoned player in the heady bacchanal popularized by Slade, the Sweet and Mott the Hoople. At 20 years of age, he served as the frontman to Plod, a raucous glitter group who played often to great response, recorded a series of clap-and-stomp "hits" in '75, then folded due to what he now characterizes as "a dodgy record company." (Italy's Rave-Up Records issued the recordings on LP some 35 years later.) At Plod's demise, he wasted little time in joining another group, Gypp, and they continued to mine glam territory, now tempering it with prog-like exploration.
Their exploration was largely on-stage, however. "Gypp was a great live band," said Newell, "and a brilliant bunch of guys. I'd just had three years on the road with them and was very frustrated with not being able to spend time recording."
Exacerbating that frustration with Gypp's slim recording schedule was the band's lack of positive critical reviews -- of which there were some, but not enough -- and as the '70s wore on, Newell found himself through with Gypp, done with life on the road. But not with music altogether.
Noise_Problems on 02/12/2012 at 11:10PM
The Cherry Blossoms live at the OCCII in the first of Hallo Gallo nights is Noise Problems #3. Check out the whole show is memorable! Thank you Blossoms!
amp_recs on 06/15/2010 at 12:47AM
Concrete, Room, Drone, Experimental, Industrial, Shoegazing, Granular Music, Noise, Electroacustic, Ambient, Field recordings, Dark Ambient, Glitch, IDM, Psychedelic, Lowercase, Microsound, Improvisation, Montage, Soundscape, Avant Garde, Plunderphonic, Copyleft.