“Playlist” (Used 5 times)

Check out the Noise Problems Selections cd. For the occasion of 50 releases by Noise Problems a compilation was issued to commemorate. The `Selections` cd will be available in 6 different volumes for download. Stay tuned

Noise Problems is working on compiling some of the past shows and putting it on cd. Check out Vol.1

Noise Problems Selections Vol.1

Bourbon's Got It Covered 

Hola Nola- When describing an every day, you-can-count-on-it, Bourbon Street stroll, one would never leave out such essentials as the foot long Hand Grenade, neon colored shots served from graduated cylindershanded to you from the curb by young women (aka Tulane and Loyola students) decked out in slutty nurse Halloween costumes, 'Huge-Ass Beers To Go', and the occasion gutter punk crusade cruising through on their mile-high two-wheelers, a spectacle within a spectacle.  But what is the soundtrack to this 24/7 block party, aside from the one and only Chris Owens, the tucked away Jazz coming from Irvin Mayfield's Playhouse in the Royal Sonesta, and the Karaoke classics coming from classy joints with even classier titles, such as 'Bourbon Cowboy'?  Covers.  No matter what time of day, what day of the week, or how many people are in the bar (at varying levels of consciousness), the enthusiastic passerby seeking a dose of live music will have a hard time finding anything other than sub-par renditions of your typical AC/DC, Guns & Roses, Bon Jovi, and Journey favorites.  Because these round the clock musicians cover nothing but the classics (sometimes changing it up with a Pearl Jam's 'Better Man', or a Thin Lizzy tribute medley), I aim to expose the off-the-bourbon-beaten path re-inventions, as these covers don't merely rinse-and-repeat, they rejuvenate an old favorite into something completely new, with the artist in attempt's personal flavor on his adopted track.  This clearly reminds me of only one thing: To Be Born, First One Must Die (see Chapter 1 of The Satanic Verses, Rushdie).

A wise Canadian by the name of Ann Nagel once explained to me the criteria for a respectable cover song. I'll borrow her theory, basing my evaluation on originality redeemed through interpretation.  A cover is a true success when it takes time into the first verse, and possibly not until the chorus, until one even recognizes what song is being recycled. 

A few songs fit this criteria, but unfortunately are not featured in this week's interactive playlist (as they are hackneyed in my mind due to the course of excitement-->obsession-->outplaying-->I can never hear this song again-->2 years later-->omg this song is amazing why haven't I heard it in so long?)  I am currently in the 4th stage of this mutated Kubler-Ross cycle of belief, but highly recommend these extremely creative versions to the unindoctrinated:  'Jimmy' (Of Montreal's take on MIA's original), 'Modern Romance' (TV on the Radio's re-do of the YYY's Fever To Tell's hidden track) 'Turn Me On' (CocoRosie's breathtaking reformation of Kevin Lyttle's masterpiece, that I was blessed with live, five years ago at Boston's Paradise Rock Club) and 'Too Little, Too Late' (Dan Rossen of Grizzly Bear covering Jojo).  If these are not already musics to your ears, use your eyes and find them on any of the myriad of blogs that have been posting these special editions for years.

I begin this playlist with the most recent Grizzly Bear cover, who seems to be nostalgic for Hot Chip's good old days of The Warning, with a bear boned acoustic 'Boy From School' (also check out Hot Chip's recent strip down of Sinead's cover of Prince's 'Nothing Compares 2 U).  This is a reverberatingly raw recording that pairs well with a melancholy afternoon of fogged window finger doodling and some jasmine green tea (perfect for the imminent blast of April showers).  Not to get all Liz Lemon on ya'all, but this is a slanket in song form (see also Jens Lekman's 'You Can Call Me Al' for a similar effect).  So that this playlist doesn't pan out to be such a downer, and because I omitted a cover of Franz Ferdinand, I will include a cover by these Scotsmen with LCD Soundsystem's 'All My Friends'.  It's not overly daring, nor does it stray too far from LCD's, but I've always enjoyed it, and for a time listened to it more often than the original.  Keeping it upbeat is possibly easily one of my favorites on the list, Kate Bush's 'Hounds of Love' by the Futureheads.  A friend put this on a summer tape for me two summers ago, and I am not, and never will be sick of this tune.  RaRaRiot has recently dabbled in this Kate Bush rarity during live shows (I was witness to this great moment during their encore at BAM back in February), and it hurts to say it, but they don't hold a candle to the Futurehead's mastery.  Kate Bush's version is recommended as well.  Throwing some soul into the mix is a new find, by an artist I've been listening to since her punkier Riot Grrrl era with tracks like 'Sweet Baby' and 'And You Know', but who has only gained strength with her cleaner, well-produced sound on the latest Men in Love full-length.  The Gossip will blow you away with the late Aaliyah's 'Are You that Somebody', and Beth Ditto needs no Timbaland to break it down.  Mentioning the revolutionary Riot Grrrl scene (and zine) brings us to quite the innovative remake of Feist's '1, 2, 3, 4' who's single and impressively long single-take music video made a splash with her successful comeback post Let It Die's overwhelming success.  This cover is by the lesser-known Bikini, not to be confused with Riot Grrrl's Kathleen Hanna's band Bikini Kill (pre JD’s ‘stache and the rest of Le Tigre).  Staying on the Feist train (Bright Eyes does a croaky yet cheery 'Mushaboom' that may be of interest, but not to this playlist), is a beautiful Gonzales piano solo of the fourth track on Let it Die, the jazzy 'One Evening', off of Feist's own Open Season: Remixes and Collabs.  Just connecting the dots, over here.

Remember Glastonbury in 2008?  Neither do I, but apparently their music fest had a diverse lineup with headliners ranging from The Verve to Jay-Z (A la 'Bittersweet Dirt off Your Shoulder') and second-tier acts from Coldplay to Kylie Minogue.  And in celebration of this well-rounded cast of characters, Coldplay took liberties on Ms. Minogue's 'Can't Get You Out of My Head' during their performance (For another live blowout, not featured on today's Hola Nola, get at The White Stripes tackling Dolly Parton's "Jolene').  Keeping the dancefloor afloat is sir Sean Paul and his cover of Alton Ellis's 'I'm Still in Love with You', both versions equally satisfying.  Inching into Hip-Hop territory, I present a song that I have mixed feelings about, mostly because it's sappy and lame, but I keep listening to it...new to the scene rap group Barbara puts a startlingly different spin on Kid Cudi/MGMT's 'Pursuit of Happiness' with this acoustic version, fit for early morning Nick Jr. programming.  However, it passes the test of transformation, and I'm kinda into it, so I'm putting it out there.  And now for some awe-inspiring blood harmony, aided by the Swedish sisters of First Aid Kit, with their 'gift' to Fleet Foxes, 'Tiger Mountain Peasant Song'.  I highly recommend the Youtube video, for a full understanding of the magnitude of this performance.  And to close is a short cover by Metronomy (better known for their remixes) with this Klezmer-infused reconstruction of B. Spizzy's 'Toxic'.   And there you have it, a conglomerate of cover songs that may never make it to Bourbon Street, but have been taken in by NoDef, and now (hopefully) by you too.

If I Were a Festival, Where Would I Be....?

EVERYWHERE.  Hola Nola-between this past weekend's Foburg Music Festival on Frenchman, SXSW happening all this weekend, Coachella, and Jazzfest in just another few weeks, it's only natural that festivals will play a large role in the upcoming mixtapes.  Ironically, I won't be in attendance for any of these events!  But don't worry, because I'm returning to Nola just in time for the Bayou Boogaloo, held in my own neck of the woods, the beautiful Mid-City neighborhood.  To live vicariously through the actual attendees of these showcases, I will share the bands and songs that would be first on my list if I were in the tough position every festival-goer shares: looking at that overwhelming fold out schedule, seeing how many bands you enjoy overlap to play at the same time, and think to yourself: 'who planned this thing?!'.  I know.

Foburg stands apart from these monster balls of a show, with a majority of the performers on the bill from New Orleans, all congregating on and around Frenchman to pour Indie, Experimental, and Rock genres into the street.  There are some out of towners as well, for Foburg was designed as a pit stop destination for many bands on route to Austin for this week's South By Southwest festival.  Because that festival officially started this past Wednesday, this playlist touches on some local flavor that I’ve grown to know and love since my big move to the Big Easy, as well as some more widely known names that are making it rain down in Texas this weekend.

Because I slept in Brooklyn last night, this mix begins with a Brooklyn duo known as Savoir Adore, who are slowly but surely making a name for themselves in NYC and beyond.  They graced Nola this past weekend and are continuing their journey to perform next in Austin.  What is impressive about the collaboration between Deidre Muro and Paul Hammer was created in one weekend; their first EP is an entire concept album that the two conceived in just two days, as a sort of experiment.  Like so many of these 'accidental successes' of young creative talent who were just having fun, and passing the time (Au Revoir Simone, The Unicorns, etc) Savoir Adore played a few shows in their hood and impressed the local crowds.  The band is really making moves, heard all over itunes, Hype Machine, and venues all over the country.  'The Scientific Findings of Dr. Rousseau' is my favorite tune on the album, with soothing instrumentals and an inventive progression.  Next up is Big Rock Candy Mountain, a band who has a legit following down south, largely due to the hit single 'Rocketship', which rocks out with intelligent riffs and hearty vocals.  Music is not the only thing these guys do well- BRCM is also known for their killer potlucks, stocked with slow braised ribs, mama's cornbread mash, spicy cole-slaw, and a seasonal Abita to wash it all down.  I was lucky enough to attend one of these feasts over the summer, being that one of my first New Orleans buddies happens to be lead vocalist and  man on keys Michael Girardot, who played host during a great gathering at his humble uptown abode.  These guys share the limelight with another household name in town, MynameisJohnMichael.  I caught these guys at a party held at the CAC a few months ago, and enjoyed the unique sound created by a mix of instruments that no one genre can define.  This isn't blues, this isn't jazz, this isn't rock, this isn't indie singer-songwriting, this is electric, percussive, and brass-blasting music that cannot and should not be labeled.  'Misery Runs' displays the horns that are a consistent tool to strengthen and flesh out these melodies, with special attention paid to, in my opinion, the Teddy Roosevelt of brass: the Trombone.

At that same CAC shakedown, DJ Bees Knees stepped in to close out the night with some twisting and shouting, thanks to their mainly MOD themed sets.  These guys also get around, headlining weekend dance parties at The Saint, Saturn Bar, All-Ways Lounge and events in need of some Motown soul.  When Bees Knees starts spinning (working with vinyl, and vinyl only) the party goes all night, and the sweat pours like PBR.  To illustrate the vibe of these two, I've selected the quintessential MOD representatives (aside from The Kinks and The Who), The Yardbirds, with the famous 'For Your Love'.  For a more poetic Foburg experience, the sunday night regulars at Circle Bar, Meg 'Peg' Roussel, Micah of Silent Cinema, and Loren Murrell all showed up to share some tunes.  I learned of Loren when going to check out friend Peg at the Circle bar and later on Yellow Moon down i the bywater, and his backup vocals alone blew me away before even starting his own set.  Loren's voice and how he uses it is enough to stop all banter in the bar, and 'Swinging His Keys' proves why.  Before moving on to SXSW, it is important to note Meschiya Lake, who frequents old Frenchman watering holes such as The Spotted Cat, and upstairs at Mimis, and is a favorite of mine to catch any night of the week.

Moving into selections from those inaugurating 2010's South By Southwest, Austin's Beauty Bar invited Jeremy Jay to play late night on Wednesday, a newbie to Northwest's K Records, breaking into the scene with his EP Slow Dance.  Jay immediately grabbed my attention after first hearing 'Gallop', what remains as my favorite of the bunch.  His sound sometimes resembles that of Peter Bjorn and John  (without the accent), with heavy reverb and EQ on the production.  [A quick local alert: Nola was heard in Austin on Wednesday thanks to Curren$y, DJ Pasta, and Blaire, who were spread out across the city on opening night of the festival].

Thursday had a huge lineup, with so many amazing performers, from Jean Grae to The Very Best, to my good friends from Anamanaguchi.  However, I want to highlight some names that hopefully didn't get lost in the mix of big-time headliners like GZA and The XX.  Attention must be paid to the deserving Nicole Atkins, who I recently saw perform (with David Byrne) at Bowery Ballroom on Delancey street a few weeks ago, and, closing the show after a long night of many great acts, melted the audience into their seats until her last belted note.  I have not been so excited by a folky female with  guitar since Dar Williams and Ani Difranco (no shame here), and 'The Way It Is' speaks for itself. Changing it up is a dance track that has been on repeat is the insanely catchy 'I'll Get You' by Classixx.  They ask the simple question 'Do you Like Bass?", as if it's even a question.  Enjoy this one.  Next is a rough around the edges electronic band from Denver who go by Pictureplane, who I was excited to see were invited to play at the Speakeasy Kabaret on South By's second evening.  This discovery was most likely due to another spastic music blog researching/downloading session, and thankfully so, because this band is doing it's own thing, taking risks with elements like tempo and structure, and their guts are paying off.  Check out 'Cyclical Cyclical (Atlantis)' for some freshness.  [Thursday local alert: Nola was heard on Thursday thanks to The Generationals, Truth Universal, and Big Sam's Funky Nation].  I am tempted to keep going, but will reserve Friday-Sunday's picks from Austin for next week, and will close with one of my favorite old school jams 'Keep Livin', by Jean Grae, who spits over Scarface's original beat off his hit single 'My Block' on his seventh album The Fix.  Both are great, and although Scarface came first, my loyalty lies with Ms. Grae on this one (who thankfully, although mentioning this thought in the song's first line, did NOT change her name to Crystal Meth).