“Noise Problems” (Used 30 times)
Noise_Problems on 05/04/2014 at 09:41AM
Another Sotu went by. This year´s Sotu was fantastic. Lots of stuff happening between OT301, OCCII, Vondelbunker and other places like the comic book shop "Lambiek", said to be the oldest comic book shop in the world, where we saw a live sketch battle. Awesome. At the Vondelbunker an unusual black metal program was very interesting with the Black Decades and Mannheim.
Impressive also was the 24 hour feedback/noise event "Giant Noise Feedback Show" at the OT301 where a giant sound installation unfolded in all public spaces at the OT301: the main hall and its bar space, the 4Bid Gallery, De Peper, the cinema and the cinema bar. In all spaces, simultaneously, noise acts performed. Their signals were fed to the Radio Patapoe studio in the basement, where a mixdown went live! Then the radio signal was again pickup by the acts, who used the radio signal to feed it back into their stuff!!! There was even a small set up with a mixer were the audience and visitors could add their 10 cent to the performance. Needless to say Noise Problems loved the concept! Well done Sotu & OT301 & Patapoe!
Noise_Problems on 03/11/2013 at 02:28PM
Celebrating 50 releases on Noise Problems we decided to throw a party. For the 50th release we decided to record that party. The Secret Love Parade returns to Noise Problems a year after the OCCII recording from the Pageturner nr1 night, as well as NewYX formerly known as Storm from the Recipe Book night at the Winston release and introducing to Noise Probs two amazing bands Katadreuffe and Pony Pack. We are thrilled to have them complete the evening and make a fine extent to our live recordings collection.
March 11, 2011 was the date set for the event held at the OCCII in Amsterdam to celabrate the 50 releases at Noise Problems. All started quite natural recording a few nights here and there and before we knew it we had reached 50 bands on Noise Probs.
We had to do something about and decided to throw a party where we could choose the bands to record and called up some of the local Amsterdam bands we knew from the scene. The Secret Love Parade were the perfect act of solid electronic beats and postmodern pop melodies to kick things off and set a mood for the evening. New YX where also known to us. Their sound is dary, a fusion of danceable electro and post-rock tunes great to make the transition to the loud part of the night.
Soon after Noise Problems debutants Pony Pack made the crowd move and the heat to rise with fiery guitar riffs. Katadreuffe sealed it by combining most of the above elements into their noisy, post-punkish (massive) sound wave which enveloped everyone in the place into a tight hug.
Also for the occasion of the 50th release a compilation was issued to commemorate. Its 23 tracks are available in 6 volumes for download here at the FMA. Great tracks selected from amongst the first 50 Noise Problems releases. Check out the Selections too. All shows were recorded live between 2007 and 2010 at various Amsterdam venues.
Noise_Problems on 02/24/2013 at 01:09PM
Stress.fm and Noise Problems caught up with Raphael Anker trumpetist and founder of the Imperial Tiger Orchestra, Geneva´s own Ethiopian music band, at the FMMSines World Music Festival in Portugal last summer.
With Malinese songstress Oumou Sangare performing on the background we spoke to Raphael about some of the main ideas behind his project, Ethiopian music and culture and about the crisis in Europe.
What have Imperial Tiger been doing this last few months?
There are two diferent things now. Weve been working with Hamelmal Abate which is a great singer from Ethiopia and we also have an instrumental project in a sextet. We are working on these two projects always based on Ethiopian music.
We have seen you talk about the collection Ethiopiques. What have brought you to this culture and this country and what is your relationship with Ethiopia?
Ethiopia called me, she called me (laughing). A friend was traveling in Sudan and Yemen and from Sudan he had tapes from Ethiopia and when he was back to Geneva we were one evening talking till late night and he made me listen to this music and I was like uau and all that east Africa sound just attracted me. There are several different scales which are really unique and that's what attract me to it.
Have you been there recently? What is your look on the situation in terms of urban culture because we know that this music and the collection at some point was considered too popular and almost like the devils music and the government cracked down on the labels and artists so how do you feel about the coming back of this modern music?
Recently no. We been in Ethiopia two years ago with the band. Its complicated everything is related to politics, the golden age was related to Haile Selassie then was Derg and Mengistu time which was hard for music. But that was also a new start for Ethiopian music, strangely, we might think that it was a period very bad which in one way its true but in another it was also ok because many new artists emerged in this period. Ok its not as great as the big bands and what we know about the great recordings of Mahmoud Ahmed but there was also something. And this was the 80s then 90s and now 2000´s there is a lot of artists coming in and we are a bit to fixed to this golden era syndrome in everything in every music, for example in festivals music from Ghana is French Ghana from 70s retro feeling. its good because its amazing music but theres is also a lot of new musicians who are struggling…We have to be careful with the golden era syndrome which is beautiful but now 2012 we have to move forward and…voila that's what I have to say about that hehe.
Noise_Problems on 02/10/2013 at 03:48PM
How did you come up with the idea of performing in a church?
I was thinking about what kind of project I could do for this show, when I remembered a project I had previously done. It was a 6-minute drone with 8 musicians. in which I gave the musicians the instruction to play along, however they like, as long as its a minimalistic or repetitive sound and in a certain musical scale. There was a diverse range of instruments, from a drumkit to a didgeridoo to a cello. The drone turned out very nice. What I especially liked, was the fact that after a while, the sound takes over the musicians. The musicians are no longer really in control. A state of trance.
When I went to the Oude Kerk to check out the space, what struck me most was the acoustics of the church. There were extremely long reverberations which also caused for a sort of trance when I was there. So I thought a drone would be perfect in the church, this time bigger, louder, and longer. It would probably be even more entrancing in this space. But also conceptually it fit the theme of "Beyond Babylon".
Did you knew or how did you recruit the musicians to play with you?
I asked friends and fellow musicians from my bands and projects interested in experiments to join the drone. I also asked the church's organist to join. In the end 15 musicians took part. There were guitars, basses, drums, vocals, didgeridoo, tambourine, organ, violin, harmonica and more. The drone was the first performance of the show. The doors opened at 17.00 when the public walked in we were already playing. The nicest reactions of the drone I received from people who were moving through the space. They said that the sound was like a living entity, in which one could virtually and physically move around in it.
Do you have plans for a similar event in the future?
I am probably going to do the drone once more during Kerkennacht (Church-night). This is going to be in June. I am currently working on a project for the end-exam show. I am going to make a tour with my drumkit to different urban environments in and around Amsterdam and improvise with site-specific sounds. This will be filmed and recorded and eventually released on DVD.
"We work together to achieve an altered state of consciousness, to reach the unearthly, but how long will it last until we snap out of it and get splashed in the face by reality? What is the purpose of building a tower which eventually will collapse? What is the point of losing ourselves in our sound, when we know it will stop?"
Noise_Problems on 05/17/2012 at 05:58PM
For those new to Noise Problems is a net-label dedicated to electric and amplified music of all sorts. Many of our releases come straight from actual gig recordings and so we like to think of it also as a collection of live shows. All awesome bands are exclusively recorded by Noise Problems for all free music lovers out there and our first compilation is up.
For the occasion of the 50th release by Noise Problems a compilation was issued to commemorate. Now its 23 tracks are available in 6 volumes for download here at the FMA. Great tracks selected from amongst the first 50 Noise Problems releases. Check out the Selections. All shows recorded live between 2007 and 2010 at various Amsterdam venues except for Tzaatzuim recorded in the studio and Tchakare Kanyembe recorded at the Boom Festival.