miscellaniac on 03/15/2013 at 11:00AM
In honor of St. Patrick's Day, I present a mix made up of artists who currently reside in Ireland, have Irish roots, or simply a pronounced Irish influence. As you'll discover, not all Irish music sounds like what you would hear at a parade or a sports pub (aka. a spub, like a spud - Irish!). For more overtly Irish-sounding tunes, I recommend this Magically Delicious Mix featuring "Irish Hearts" by Fred van Eps.
Patrick J. Touhey “Drowsy Maggie” - OK, this is one of the few exceptions to my preface, but this is such a gorgeous traditional folk song. Irish-American Touhey played the Uilleann pipes (Irish bagpipes) and this recording is from 1919.
Dublin Duck Dispensary "Irish Rebel Song" - Now I really am starting to look like a hypocrite. But, Bobby Aherne's lo-fi solo act is one of my faves and he happens to be from Dublin and to also have produced this dreamy song that sounds like it could have emanated from the recent crop of Northern New Jersey bands like Big Troubles, Ducktails, and Julian Lynch.
Nora O'Connor "Two Way Action" - O'Connor is a first-generation Irish-American (and native Chicagoan), performs with Andrew Bird and The Blacks, has toured with everyone from Mavis Staples to New Pornographers, and also happens to be a renowned bartender, doula, and ordained reverend. (Yeah, what have YOU done today?) The eclectic warmth of all of these endeavors melts through in this track.
Sláinte "Julia Delaney" - Another one to slip past my preamble, Sláinte is a legit Irish band from Tacoma. Pronounced "slawn-cha" it is Gaelic for "cheers" or "good health." This is definitely one you can get jiggy with (sorry). Combines the good parts of a jam band with stunning traditional instrumentation that would kick the crud out of an Irish Spring commercial.
Solvents "Yr. Ghostwriter" - Bandmembers Emily Madden and Jarrod Bramson met when Bramson played rhythm guitar in Madden's father's traditional Irish folk band. The spark that crackled into Solvents lays its melodic residue all over rich violin and vocals.
TAGGED AS:villagers, squarehead, lucy foley, ma la pert, galway, solvents, steve mackay, acustronica, crete boom, patrick j touhey, nature, liz berg, junior85, so cow, hogan grip, laura sheeran, ireland, slainte, mackaywattestel, black lantern, niamh de barra, st patricks day, cian nugent, issue project room, dublin, the rosen, bell x1, declanqkelly, irish, nora oconnor, kill kill death death, tony conrad, See Less...
andrewcsmith on 06/03/2011 at 11:45AM
ISSUE Project Room's annual Darmstadt Institute — which borrows the name (if not polemic) of the famous incubator of post-WWII difficult music — runs throughout the month of June, with imports like John Moran & Saori, Terre Thaemlitz (aka DJ Sprinkles), and Jennifer Walshe; Darmstadt stalwarts like TILT Brass, Claire Chase & Rebekeh Heller, and the Wet Ink Ensemble; and some revivals of underrepresented American artists such as David Borden's Mother Mallard Portable Masterpiece Co. and Larry Austin. Almost all of these artists are represented in the mix directly to the right of these words, in works ranging from late-70s pieces by Mother Mallard's Portable Masterpiece Co. – one of the first-ever synthesizer ensembles, counting Robert Moog and David Tudor among its members – to an improvisation by inimitable pianist Thollem McDonas, recorded last year in the Can Factory.
We'll continue adding to this mix, as we excavate more recordings from the seemingly endless ISSUE archive, and feature tracks from artists once or twice a week. For now, though, check out the full Institute schedule and, if you're in town, check us out.
TAGGED AS:david borden, loadbang, larry polansky, john moran saori, c spencer yehchris corsanonate wooley, See More...
andrewcsmith on 01/13/2010 at 08:46AM
If someone were to keep score of people who have performed at ISSUE, Tony Conrad would be at or near the top. And yet even though he performs almost monthly, guessing what a single performance will be like is a futile game—one we’ve long stopped playing and have never learned the rules to. In the past year he’s dispensed plastic recorders to the audience, bowed strings of beads tied to the bridge of his amplified, fretted, spraypainted black violin, used auto-tune, looping pedals, multichannel overhead clicking sounds, a string quartet, endorsed psychedelic drugs, and had a book written about him.
This is just a selection of those things, some of which are old to the archive and some of which are newer. His performances as Ma La Pert with Jennifer Walshe have already been written about, but check out the two segments from the September 9, 2009 program that featured art historian Brandon Joseph reading from his book, Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage. These two segments—Tony’s song, “Sexual Vulnerability,” and his live set—are just a small slice of much of his work. A larger mix, including the Ma La Pert performance and XXXMacarena, is after the jump.