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Joe McGasko on 02/10/2010 at 02:00PM
Ex a plectrum ludio ludius

Last year on a short trip to London, I had the good fortune of catching a gig by the duo Brethren of the Free Spirit, a collaboration between guitarist James Blackshaw and lutenist Jozef Van Wissem. As I listened to the players interact, I remember feeling that the music was somehow modern and ancient at the same time. Shades of art music, classical music, and folk music colored what I heard, but none of those terms adequately described the hypnotic, gauzy yet focused sounds coming from the stage. James Blackshaw's circular guitar playing anchored the duo, but what really got to me was that lute player, whose brightly plucked instrument added something almost spiritual to the music.
That was my introduction to Jozef Van Wissem, the lutenist whose records under his own name are among the most satisfying acoustic records around. His record on Important from last year, It Is All That Is Made, is a sublime piece of work that I can't seem to get tired of. I soon found out that the prolific gentleman has been recording since 2000, and he has made a bunch of records. Listen below to a track from his 2008 album, A priori. It's a beautiful track that captures a lot of what is special about his sound. And, if you like this track, the whole album can be downloaded from the FMA for free here.
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Jason Smith on 02/06/2010 at 02:00PM
the kids are alright (no, really they are...)

At 36 years of age, I find myself growing more restless by the day. There are times that I feel twice my age, destined to become the ranting old coot that throws stuff from his front porch at passersby just because I can. I resent the fact that my waking hours are spent at a place doing duties I could care less about and then having to steal back time and fight off sleep to do what I'm passionate about. I resent a lot of sh*t, actually.
With that being said, it's nice to look upon the youth and see boundless potential, to know that there are heads coming up behind me that are light years ahead in possibilities. Consider the young lord out of Hollywood, Florida named Black Ant, beatmaker in training. Judging from his Free Beats Sel. 3 collection, he is well on his way to being a pad-punching, knob-twiddling Jedi. Joints like the horn-drenched "government funded weed" and the head nod-inducing "Underdog" make me smile, plus they have me excited about what this hip-hop wunderkind will be creating in the next five years.
Sit back, relax, and take a minute and change to achieve bliss with the spaced-out selection "Oh K." And once it's over, remind yourself that the brother's still in high school...
Jason Smith on 02/06/2010 at 02:00PM
the kids are alright (no, really they are...)

At 36 years of age, I find myself growing more restless by the day. There are times that I feel twice my age, destined to become the ranting old coot that throws stuff from his front porch at passersby just because I can. I resent the fact that my waking hours are spent at a place doing duties I could care less about and then having to steal back time and fight off sleep to do what I'm passionate about. I resent a lot of sh*t, actually.
With that being said, it's nice to look upon the youth and see boundless potential, to know that there are heads coming up behind me that are light years ahead in possibilities. Consider the young lord out of Hollywood, Florida named Black Ant, beatmaker in training. Judging from his Free Beats Sel. 3 collection, he is well on his way to being a pad-punching, knob-twiddling Jedi. Joints like the horn-drenched "government funded weed" and the head nod-inducing "Underdog" make me smile, plus they have me excited about what this hip-hop wunderkind will be creating in the next five years.
Sit back, relax, and take a minute and change to achieve bliss with the spaced-out selection "Oh K." And once it's over, remind yourself that the brother's still in high school...
Michael Gregoire on 02/05/2010 at 02:22AM
With “Songs About Something XE” the evolution of blocSonic continues

We set things off in 2007 with our premiere release, “netBloc Vol. 1: The Opening Salvo”. Even at that early stage, I knew that I wanted blocSonic to be a bit more than your standard “netlabel”. I didn’t want blocSonic to be completely self-serving… it was to be a promotional vehicle for netlabels, artists and the netaudio culture. However, what I didn’t know was if artists and netlabels were going to be supportive of the compilation idea and send me lossless versions of their music to be included. Happily my worries were for naught. Everyone involved has been extremely supportive over the years and my positive experience with the netBloc series got me thinking about original releases. Our first original release was back in February 2009, Just Plain Ant’s “Dig Deep”. Well here we are nearly a year later and I’ve got another premiere release for you to enjoy and it’s the talented Just Plain Ant bringing it once again!
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bennett williamson on 02/04/2010 at 03:45PM
Ten Tracks to Sync - Vol 1. (mp3) (video)
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One of the biggest problems facing filmmakers and online video producers is the high cost of licensing copyrighted music to sync in their work. Many a YouTube account has been shut down for using copyrighted music without permission, and the process of securing permission can be a major barrier for non-commercial/non-profit producers. The FMA provides a much-needed resource for interesting, soundtrack-worthy, Creative Commons-licencesed music. This post is the first in a series hightlighting (mostly) instrumental tracks culled from the FMA that would make for great video soundtracks. All the tracks in this series have licences that allow for derivitive works. If you make a video that uses a track from the FMA, link back to the site and let us know! We'll be featuring videos that we like on the frontpage of the FMA, and we'll keep digging for interesting music to set your movies to. (*Be sure to hit "i" to check the song's license type before you use it in your video. And it's important to note that not all of the content in the FMA is licensed for derivitive works. If you're not sure, check the description of the different CC license types at http://creativecommons.org/about/licenses/.) |
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Here's a video collection of Street Art Photos taken in Nagano City, Japan by Jim Atwood Photography, featuring Creative Commons music by Sunbyrn, the song "If I Wait" Street Art Japan from Jim Atwood on Vimeo. |




