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Alpha_Hydrae on 06/07/2017 at 07:56PM

The 5th and last volume of It's time for adventure !

Hey there !

I've just released the 5th volume of It's time for adventure !, that I think will be the last one for this idea. It was at start kind of nothing. I was doing a soundtrack for the 10th anniversary of a RPG forum I used to play on. But I had a good time to do it so I continued, with a bigger idea of the concept. It was really great to do, and I'm really glad that people use and remix it in video and sometimes in videogames. You guys are making my dreams come true. Thanks a lot.

Here is a playlist with all tracks from my Komiku's project I think accurate for my vision of the potential game I've in mind. But it's just my vision of the stuff, you can do your if you're enough bored to do something like that :p

I think I'll continue doing stuff around RPG videogame soundtrack, but maybe it'll be a different ambiant, more accurate, because it's like a mess here ! Or maybe a fighting game soundtrack, like hyper speed bossa nova like in Marvel VS Capcom game or stuff like that. Could be fun.

Thanks a lot for using and remixing my music, You're all awesome.

Enjoy !

best,

Monplaisir 

Komiku - "Opening" (02:01)
Komiku - "Opening" (02:01)
Komiku - "Un désert" (04:05)
Komiku - "Un désert" (04:05)
Komiku - "Filthy" (01:37)
Komiku - "Filthy" (01:37)
Komiku - "Time" (03:02)
Komiku - "Time" (03:02)
Komiku - "Balance" (03:26)
Komiku - "Balance" (03:26)
Komiku - "Tension" (03:21)
Komiku - "Tension" (03:21)
Komiku - "Bleu" (03:31)
Komiku - "Bleu" (03:31)
Komiku - "Victory" (03:55)
Komiku - "Victory" (03:55)
Komiku - "Outro" (01:22)
Komiku - "Outro" (01:22)
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hitmuzik20151gmailcom on 02/07/2017 at 08:05PM

Yabanci pop sarkilar listesi 2017

Yabancı pop şarkılar listesi 2017
Yabancı pop şarkılar

Yabancı popüler şarkılar listesi tubidy de. Pop Rock Metal Remix ve aklınıza gelebilicek tüm şarkıları web sitemizden takip edebilir cep telefonuna ücretsiz mp3 formatında indirebilirsin.Cepmüzikindir Müzikindir Mobilmp3indir Mp3indir Tubidymp3indir gibi kelimeler ile web sitemize ulaşabilir en son çıkan yabancı şarkılar listesine her daim güncel bulunan müzikler ve yeni listelerimzi takip edebilirsiniz.Bunun yanı sıra bu dinlediğiniz listede bulunan tüm şarkıları mp3 formatında indirebilirsiniz.  

http://tubidymobi.djstationlife.com/yabanci-pop-sarkilar-listesi.html

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Spettro_Records on 12/19/2016 at 01:48PM

章4 : 真っ暗闇の人生 : Spettro Records' 3rd Compilation

Artwork by Akis Karanos

Spettro Records: a small place for experimental music. Celebrating 6 years with its third compilation!

It's been 6 years of Spettro Records. 6 years is a long time, if you want it to be. And at this moment in my life it feels as they've been forever, and I certainly won't be getting them back...

Spettro started more as an outlet for what me and friends were doing and recording ( Salomè Lego Playset, STUFA, Achievements, all of them dead projects... ), then grew into something different, a netlabel sui generis, mostly net / sometimes physical label ( of abysmal sales ), but anyway a home to us, and then to so many artists from everywhere in the world, so many I can't thank enough for trusting me and my instincts and who have allowed me to share their wonderful and unique music. It's still a home for me, for my own work ( SLP, which in the years has become more and more secondary), and of those artists which made up most of 2010's first compilation only few remain. So many have passed by, donated their work and passed on to different, probably better, labels. Some have quit music altogether. Some have moved to bigger things and achieved much deserved success, while some have freely and so generously donated a release even if Spettro was much below their label standards. I'm happy to think that Spettro has been The One, out of so many, that they chose, out of their free will, despite all the other, maybe better, choices around. Spettro can't offer much but a tiny and cozy home of uproaring silence, "a small place for experimental music" indeed.

So many artists are still joining, from everywhere in the world, and it's this fluctuating and stateless nature that makes Spettro so special to me and, hopefully, to you. It is an honor to host your music, and seeing younger people writing and joining Spettro gives me hope and pride.

This third installment offers the best that Spettro has and will have to offer in the years to come. Hopefully, other 3 years, and then another compilation will come, new people will join, and new pages will be written and leafed through. Perhaps at least. Fingers crossed. That's why the title, Chapter 4: Makkuraysmi no Jinsei : La stagione della Notte )", starts with "chapter 4", hence a compilation looking ahead, at another chapter. Then the "season of darkness", "la stagione della notte", 2016 and what remains of these last few years: very little, loss, hardship, confusion and despair, a night never ending, nothing but darkness ahead. Hope and despair.

This sampler is also in memory of Kelly Churko, incredible musician, unpredictable improviser, fierce alchemist of sound and composer of truth who passed away too soon. I'd also like to remember Ryo Tsuchiya of Senseless Records and of so many old and new school punk and rock'n'roll bands, whose path I briefly crossed back in 2008 and whose memory I will cherish.?

This album is for those who know Spettro, those who chose Spettro, and those who never heard of it, and maybe never will. This is for me as much as it is for you.


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Ultra Bide' - "LED" (04:11)
Ultra Bide' - "LED" (04:11)
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2017sarkilar on 11/05/2016 at 11:05AM

2017 Sarkilar - Yılın En Cok Dinlenen Yeni Sarkilari

2017 şarkılar

Yıl boyunca birçok yeni şarkı gündemimize geldi. Kimileri çıktığı ilk anda popüler olup listelerin en tepesine yükselirken, kimileri de sonradan dinlendikçe sevildi, kimileri de hak ettiği yeri bulamadı. Burada sizler için müzik piyasasını tarıyoruz ve 2017 şarkıları arasından en iyi 100 tanesini belirleyip kategorilerine göre karşınıza getiriyoruz. Siz de bunlara dilediğiniz şekilde oy vererek listelerde yükselmesini sağlıyorsunuz. Böylelikle tamamen doğal bir şekilde en iyi şarkılar alt alta sıralanmış oluyor. 

Yaptığımız bu sistemle yeni şarkılar hakkında her zamankinden çok daha fazla bilgi sahibi oluyorsunuz. Bilgi sahibi olmakla kalmayıp bu en çok dinlenen şarkıları kolay bir şekilde dinleme fırsatı edinmiş oluyorsunuz. Listeler özenle düzenlendiği için de sadece kaliteli müzikle karşılaştığınızdan kulaklarınızın pası da güzelce silinmiş oluyor. 


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joanalsina on 08/26/2016 at 09:59AM

¿A quien pertenece la música? [spanish]

http://cs633228.vk.me/v633228326/37448/tOEMcbGGhvE.jpg

Antes del humanismo del siglo XIV y del "star system" del renacimiento italiano, se podría decir que el artista era, o bien un artesano más que se ganaba la vida realizando encargos, o bien alguien talentoso que se dedicaba a expresar algo porque sí. En este segundo caso, el medio artístico más habitual era la música.

Hacer música era muy barato, bastaba tener algún instrumento y una voz. El carácter efímero de la música, que solo existía cuando se producía en directo, hizo de este arte el mejor vehículo expresivo para cualquier clase social. Cantaban los monjes, los caballeros y las damas, cantaban los escuderos, los borrachos, los campesinos, cantaban los pescadores, los niños y los abuelos, cantaban los reyes y los esclavos.

Per este motivo, es habitual que se desconozcan los autores de la mayoría de canciones populares que tengan más de cien años. Afortunadamente, siempre ha habido alguna alma caritativa que dedicara su tiempo ha recoger, fijar, y incluso hacer la notación musical de cantos tradicionales. Es lo que se conoce como cancioneros, que en muchas ocasiones, en lugar de música han recopilado poesías. En cualquier caso, que el autor de una canción sea conocido o no, no ha preocupado jamás a quien la canta.

Después del siglo XV el arte comenzó a tener nombre y apellidos. Esto, claro, en los círculos de élite que contaban con el mecenazgo de la nobleza, la burguesía o la Iglesia. En las esferas sociales humildes, la creación y difusión del arte, especialmente de los cantos, siguió su sendero popular y anónimo. 

Los Románticos

Probablemente es en el siglo XIX, por la influencia del romanticismo, que el pasado toma un valor esencial para descubrir el alma de los pueblos y las naciones. ¿Y de qué está hecho este pasado?, ¿cómo lo podemos conocer? Pues a través de los vestigios que éste nos ha dejado: las ruinas, los textos, los cuadros… y las canciones!

El interés de los románticos por el “yo”, la autoafirmación del artista, mezclado con el interés por la preservación del arte (herencia del positivismo), dan lugar al inicio de los “derechos de autor”. Nadie puede, ni debe, copiar al artista, ni manipular sus obras! Cuando, en cambio, en la Edad Media, encontramos argumentos del Decameron de Boccaccio en obras de otros autores, o personajes de un autor que aparecen en la obra de otro. Y probablemente, cuando el retablo románico de una iglesia ya estaba muy deteriorado y no se apreciaba la anunciación del ángel a María, venia el artista barroco de turno al cabo de 400 años y lo volvía a repintar encima. Y, oye, aquí no ha pasado nada.

Hoy

Desde que Emile Berliner patentó el gramófono a finales del siglo XIX, que permitía grabar y reproducir sonidos en un soporte plano, la música se volvió algo fijable y durable en el tiempo. Así llegó a parecerse a la pintura, la escultura, la literatura… Dicho invento hizo de la música algo vendible, más allá de los conciertos, las veladas o las cosechas bajo el sol.

Algo que siempre había sido gratuito pasó a ser también comerciable. Hollywood y The Beatles lo petaron con el Star System y el fenómeno fan. La música dejó de ser un lujo para la aristocracia o una diversión para el pueblo y pasó a ser un negocio lucrativo sin fronteras sociales. Pero no solo el artista, sino mucha más gente comenzará a chupar del bote. Lo que sea por un único objetivo: tener éxito. 

Esta perversión de la música, como todo, tiene sus cosas buenas y sus cosas malas. Lo mejor: permite que lo bueno de un artista llegue a todo el mundo y este pueda vivir de ello. Lo peor: disminuye la gratuidad, lo gratis no genera beneficios económicos.

FMA

Internet ha abierto un mundo de intercambio nuevo. El negocio de la música se ha tenido que reinventar. Pero ahí siguen manteniendo el tinglado. Aún así, el acceso a la música ha mejorado mucho! Pero lo mejor es que hay sectores, nuevas generaciones de artistas, que saben que el éxito no son las ventas sino los shares y los likes, y estos no se compran, se consiguen.    

FMA ha puesto al alcance del mundo (que no es poco) la música libre. Libre de qué? de derechos de autor? No. Libre de mercados, multinacionales y sanguijuelas.

Los autores siguen siendo autores, y su reconocimiento sigue siendo el del público. FMA abre el espectro con licencias de uso que protegen los artistas legalmente, pero que te permiten acceder a la música gratis. GRATIS! Como siempre ha sido la música. Lo bueno, lo bello, siempre ha sido un regalo. Hacer pagar por ello es una perversidad. 

 

Gracias FMA!

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