“Experimental” (Used 1189 times)
sardanpavlov on 06/12/2015 at 11:56PM
Finished catching up with the Power Moves imprint in Toronto today - as of now their entire back catalog is uploaded, including label proprietor Kevin Cahill's latest as Running Point, and a more gregarious collection from "Power Moves technician" James A. Toth, aka Sloom.
Onyx_System on 01/15/2015 at 04:47PM
Spirits in the Juice indeed. I don't know where the Clocks found the plums for this strange potion, but it left my head spinning after just the first sip!
Listening to the opening piece of music, Circle Round lays out a rich carpet of organ drone as the bass pattern sets the table. Once the theme is established organs begin to layer and compete, darting and weaving soon they are braiding a gorgeous head of hair! A Big Bopper-styled maestro urges on the proceedings, and are those the sounds of swallows on the hunt as daylight grows scarce? Has the bass guitar's pattern changed at all or in fact has the listener changed within the act of listening?
Silver UFOs introduce some new tones, this time the bass gurgles, the keys ping and glide, and a violin maneuvers gracefully with, through, and around. I believe this tune might be in waltz timing. There is a moment where the tone shifts, a workmanlike mien taking the place of the carefree precedings; a dog barks as the the tumult grows, and just as quickly rainbows of violin part the clouds. Next a somewhat unexpected banjo joins the fray, picking a 'down-home' counterpoint to the violins as the song whirls through the brambles and on to its conclusion.
The third piece, Lunar Dunes, takes us into the kind of den we've all found ourselves at one time or another. Dim lamplight casts mysterious shadows. Anonymous sorts recline on couches, others across rugs, the air thick with intermingling smokes, a couple engaged in a languid dance. It is hot. Electronics squiggle and bubble, organ and bass guitar keeping time as a theremin tone picks out the tune.
And finally EP closer Around the Mountain finds the Clocks scaling the proverbial mount, the twilight haze of the previous 3 tracks giving way to definite night, shields and swords clattering, violins lamenting, all to the steady sturm of the bass guitar while the organ takes quill to scroll, narrating the adventure.
While not quite 15 minutes in length, the Spinning Clocks are able to achieve some transporting effect across these 4 tracks. Given the opportunity of a full length recording I'd be curious to hear where they take us, and to what depths... -Martin Standish
Schemawound on 06/13/2014 at 04:12PM
Andr_D on 06/08/2014 at 12:00PM
EP released with Pic Pack Music Label.
All tracks and details here [PICPACK202] Foundation Quartet - Chronicles | picpack.org.ua
Digital Percussion - Alexander Cutteridge (UK)EUB - Darius (France)Piano - Daniel Moschopoulos (UK)Sax, Percussion, ect. - Vasco Morais (Portugal)
sardanpavlov on 09/05/2013 at 10:32PM
Decoder hasn't left much of a footprint at FMA recently, while we've been working out the kinks at our website, but we're to get back into the swing of things by sharing this new work from Michael Hann, aka Rejections. The Jt Wrks are an hour long installment in Hann's experimental radio show, Transmit to Fade; Sonic Router described it aptly as "...an incredibly different exploration of musical tension," composed as it is of contextually varied and subsequently distorted field recordings. Hann describes it...
Transmit to Fade (T2F) is an extension of the nervous system which runs through and from the Teesside based Reject and Fade label, which is managed by producer, writer and film maker Rejections (aka Michael Hann) and will be broadcasted on the international digital radio station Basic FM.
The first episode from T2F is called The Jt Wrks, a soundscape created by Rejections out of field recordings and samples taken on a family holiday in Whitby in 2009. The piece unfolds in a dreamlike manner to explore the finite nature of memory, the tensions inherent in familial relationships, time and loss.