“Experimemtal” (Used 12 times)
wmmberger on 08/02/2014 at 11:46AM
Ah, Grasshopper! A mainstay of My Castle of Quiet playlists from the very beginning. This Brooklyn duo has traversed the most-eerie of improvised / otherworldly territories, and come out the other end, as outstanding soloists and collaborators, in many projects outside of Ghop. Their musicianship remains expert, the sheer quality of them "knowing what they're doing," and choosing to do THIS, is one of the great charms / inspirations of Grasshopper, still very much the "mothership" for Josh and Jesse.
Fans will find the band largely in familiar territory here, painting a slow-burn garden of creeping dread and pulsation, cradled by ethereal long tones. "Witch's Blood in a Sauce" finds them especially "on," adding unanticipated horror-dressing to their usual array of mesmerizing sound evolution. Always good, and always at home on MCoQ.
Grasshopper have new work out or coming soon, on various formats / labels. The new, full-length Grasshopper LP (their third 12" on vinyl), Dark Sabbath: Symbols of Evil is coming soon on Hausu Mountain. Jesse and Josh also have a solo / split tape, Josh Millrod / Shingles, also on Hausu, there's a full Shingles cassette, First God Planted a Garden (2AM Tapes) ,and a Josh Millrod solo cassette, Seeking the Millenary Kingdom, on Solid Melts. (MCoQ archive links: Josh | Shingles)
Grasshopper on My Castle of Quiet, v.1 (2009; our second live-musical guests, ever!)
Thanks as always to audio engineer Juan Aboites, for his professionalism and talent, and to Tracy Widdess of Brutal Knitting, for continuing to immortalize my crappy iPhone band captures.
10khrs on 11/08/2013 at 04:47AM
On November 14 Interpretations presents the world premiere of Anne LeBaron's "Breathtails," as well as a handful of other amazing works - including the New York premiere of Los Murmullos, and the US premiere of Creación de las Aves, both written for pianist Ana Cervantes.
We have posted two pieces of music from Anne LeBaron, and we asked Anne a few questions about her career and the works presented on this concert.
What is the story with your new opera "Breathtails"?
Actually it’s not an opera although everyone seems to want to call it that, so maybe it is after all! We are calling it ‘a song cycle in 13 breaths.’ When Tom Buckner invited me to compose a work for him with my choice of text (living or deceased writer, or write it myself) and instrumentation, I immediately knew that I wanted the poetry to focus on the breath, and that the shakuhachi, with its haunting breath-infused sonorities, would be central to the ensemble. What a rare opportunity---a coveted chance to collaborate in a non-operatic context (and thus dispense with all the baggage that such endeavors can sometimes entail) and to tailor the composition for a singer whom I greatly admire. The choice of string quartet, to complete the ensemble, was made intuitively—a united front that would function alternatively and at times simultaneously as a foundation, a foil, and a Greek chorus.
NetMusic_Life on 12/27/2012 at 01:54AM
The Fucked Up Beat sono prolifici, tribalmente aggressivi, piegano e ripiegano con le mani sporche un impasto fatto di presente e passato, modellando con sicurezza la loro creatura rendendola unica e estremamente personale...
Complete review on NetMusic Life.