“Electronic” (Used 461 times)
vate on 12/16/2014 at 06:25PM
Exótica is a momentary comeback to the electronic cumbia genre. Exótica and Excéntrica are two tracks made originally for the documentary “Los exóticos” by Michael Ramos Araizaga. Both combine, as in the Cachonda and Diablo albums, the sound of cumbia with electronic music. Porno Vector y Spexie complement the EP with a more techno sound.
Cover art by Guillermo Ariete.
More info on http://www.vate.com.mx/discography/v15-exotica-en
Cota303lable on 12/06/2014 at 01:13AM
I would like to present our JAM section that was recently created to release improvizational electronic music.
If You like our current contributions then You might like this section too. Enjoy JAMS!
newweirdaustralia on 06/15/2014 at 03:21AM
Wood And Wire invites you to a take journey to the inner reaches of the mind; follow the sines to the symbols, to a place where time has no meaning, courtesy of our cosmonauts of inner space Elbee & Invisible Prism.
Psychic map-maker Invisible Prism drops his debut on Wood And Wire, titled Innermost Outerspace. The EP is a analogue travelogue of subtle body music, timelessspace anthems and psychosomatic experiments - an instructional manual for a fantastic voyage.
Sydney producer Elbee recently found his way onto FBi Radio's Open Day Podcast, and his track Boxing was added to rotation on the station shortly thereafter. Visions Of Vactrols is the follow-up to his debut self-titled EP, and finds Elbee navigating between crisp, angular electronics and plateaus of hushed calm.
Both releases are now available for free download from the FMA.
newweirdaustralia on 05/23/2014 at 10:18PM
Dig deeper into the Australian underground with four new releases from the Wood and Wire label - Black Pines offer a ragged, psych-damaged lava-wall of ash and guts and glory; Motion erase improvised boundaries, merging avant-garde jazz and left-field electronics; there's an audacious leftfield avant-rock debut from Perth's Mudlark; and Gatherer offers ambient/drone pieces intended for the spaces between your headphones.
WW27: MUDLARK Zimdahl
The debut release from Perth's Mudlark has already been dubbed as "bristling, vibrant instrumentals that prove antsy and unpredictable" by Mess + Noise, "a hard listening indie-jazz fusion cacophony that destroys your ability to think or reason" by The Music, and Cool Perth Nights concluded that it was "a weird riddle, a fascinating and deeply enjoyable mystery". Pivoting between only two instruments, with no re-amping or overdubbing, Zimdahl aims for a truly accurate rendition of Mudlark’s unique sound in a live environment.
WW29: GATHERER Amoeba Miasma Void
Amoeba Miasma Void is the new EP from Gatherer - the solo project of Morgan McKellar, one-half of Canberra improv-noise duo, Cold House, formerly of Sydney band Underlapper and his now defunct solo project Morning Stalker. Manipulating (mostly) found-sounds from audio libraries, online video, and field recordings to create improvised sample-driven, Amoeba Miasma Void is a collection of four ambient/drone pieces intended for headphone use.
WW30: BLACK PINES Harsh Out
Black Pines is about dislocation. Two friends separated by real life, wondering out loud about how and why one whole side of rock history has evaporated. That missing side – the abject horror of psychedelic rock – is where this project lives. This isn’t a revival or pastiche. No jams. No art. This is criticism. // Ian Rogers (No Anchor) plays guitar and sings. Benjamin Thompson (The Rational Academy) plays guitar.
WW31: MOTION Syllepsis
Motion draws on experimentalism, avant-garde jazz, left-field electronic music and more. The result is music that deconstructs song forms, explores textural possibilities and is both hypnotic and immersive. Syllepsis sees Perth-based multi-media artist, Kynan Tan join the band to aid in the creation of a collection of music where electronics and instruments meet in a constant state of tension and release.
newweirdaustralia on 03/04/2014 at 12:30AM
Like a pack of kids at the back of the bus, hacking Minecraft and throwing buns at hipsters, Sydney's Filthy Children arrive with a howl, indifferent to the past, present and future. Their debut collection of disparate electronics pays little respect to those that have preceded them, those who tweak in their orbit, or those that are likely to follow.
Across 20-tracks, Chillection is a free selection of FilChil's nonchalant side, featuring cuts from Defocus, Canecutter, Paperclip Galaxy, Mystery Wagon, Baerfrens, Moufteef, L-X-EN, cyber.akb, Kwze, Kaukana, Carpet Brick, Kuwait Paragraphic and Ilki - a wanton manipulation of the DNA of Australia's electronic music, foreshading everything and nothing.
In their own words: "Chillection is a journey through sounds, sights, textures, graphics, boss levels, loading screens, character select, hidden packages, rainbow roads, techno schmeckno, dragons, wizards and warlocks, the temple of time, pallet town, springfield, rivendel and winterfel."