“Creative Commons” (Used 134 times)
Alpha_Hydrae on 01/22/2018 at 03:38AM
Hello there ! It's Komiku/Monplaisir, I hope you're okay ! Here is my new album "Poupi's Incredible Adventures !", which is an album of 70 tracks dedicated to my plush dog Poupi. At first, I thought to make this soundtrack as a cartoon soundtrack but it slowly became a videogame like soundtrack. I hope you'll like it, don't hesitate to send me feedback about it ! I leave you with the soundtrack and the pitch of their adventure :
It's the story of Poupi, a little dog who need to avoid the accomplishement of a prophecy. So, in one week, they has to travel through space to find the music sheet of serenity, and to go after the horizon to find the time flute. In their way, they will meet Mr Paillettes, a glitter with a crooner voice, and Princess Cheese Burger, the strongest person in the universe. Together, they'll need to find the tiniest place to play the time flute.
The story is more developped on my bandcamp if you want to read about it. If you wanna usethe story or the music, please go for it, it's all in Creative Commons 0. Don't hesitate to contact me, I'm always curious to know what you do with my music !
Thanks for reading this post and listening to my music, I love you all <3
TAGGED AS:soft and furious, chip music, dog music, pixel art, monplaisir, instrumental, pixel music, creative commons 0, anonymous420, bycicle, cat music, pixel, creative commons, komiku, public domain, music for plays, music for tv show, videogame, doggo, 8bit, music for video, music for video games, soundtrack, poupi, chiptune, music for tv, videogame that doesnt exist, dog, See Less...
cheyenne_h on 06/21/2017 at 05:46PM
Here we go again! Net Neutrality is at risk, and we're coming together to push the FCC to preserve a neutral net. In the spirit of "THIS AGAIN?!" we have delved back into the FMA's own podcast archive and pulled a bunch of samples from our podcast about Net Neutrality from 2014 with Michael Weinberg from Public Knowledge (back then - he now works for Shapeways, and we interviewed him about IP and 3D Printing too). We've released the following soundbytes using CC0, so we encourage you to remix them to your heart's desire!
Our friends at ccMixter are joining the fray - if you want to contribute to the music-making process over there, find out how you can Remix Net Neutrality.
Need stems or other bits of audio to use? No prob! We have a few beat pack and stem packs (Loop Mania, Bonus Beat Blast, Not Drunk) and of course there are tons of resources for this purpose over at ccMixter.org and freesound.org.
Of course, you're also welcome to grab something from our vast Public Domain/CC0 collections and mix with those, including our microSong Challenge and Masters Remastered Challenge, all of which have been released into the public domain by the goodwill of FMA artists and contributors!
TO SUBMIT VIA FMA, EMAIL US.
TAGGED AS:net neutrality, title ii, remix contest, battle for the net, open call for submissions, See More...
La_bl_netlabel on 05/06/2017 at 03:48PM
Channel Surfing - "Paradox In The Bathroom" [LBN039] (April 29, 2017)
cheyenne_h on 04/25/2017 at 06:58PM
The commons is the largest collection of free and open knowledge in the world, and the Free Music Archive is proud to be part of it! To get some idea of how vast this amoeba of media, tools, and knowledge is, you should take a look at a report that was just released: the State of the Commons Report!
The numbers are in, and according to Creative Commons, there are more than 1.2 BILLION works shared with CC licenses floating around the web now. 65% of these works are shared under "Free Culture" licenses, which are CC BY, CC BY-SA, and CC0 (as well as other Public Domain tools). All CC licenses grant anyone who encounters a work certain permissions; "Free Culture" licenses are the most permissive and open, allowing for remixing, use in audiovisual projects, and more. The other licenses, which still allow for various types of use and access that standard copyright does not, make up the remaining 35% of the commons.
All of the licenses (aside from public domain tools) are built with cooperation and citation in mind, so if you use CC material, please follow the licenses and be excellent to each other (by giving attribution, for starters - here's an easy example).
Some notable additions this year are the NY Metropolitan Museum of Art, which added 375,000 works to the public domain using CC0; The Global African Storybook Project, which crowdsources translations of children's stories in languages not often considered by publishers to broaden access and encourage literacy; The British Museum, which released 128 models to Sketchfab; and our very own Freeharmonic Orchestra got a shout-out in the highlights section!
Other sources for CC audio listed in the report include Jamendo and Wikimedia Commons, but there is also a wealth of CC-licensed music in the Internet Archive and lots of free, re-usable sounds over at freesound.org.
Do you have other favorite spots to look for audio in the Commons? Comment below! And don't forget to read, excerpt, share, and tweet the report at http://stateof.creativecommons.org with the hashtag #sotc.
TAGGED AS:free culture, state of the commons, reports, public domain, creative commons, See More...
cheyenne_h on 01/25/2017 at 02:44PM
A few weeks ago we got a message from a couple of producers, Johanna Kelly and Cameron Marshad, who were working on a film. They wanted some help getting in touch with the band Atlantic Thrills, because their song "Bed Bugs" from a WFMU Live performance had caught their attention. They wanted to use it to accompany the ending credits of their upcoming documentary, "The Gateway Bug."
The film is an exploration of 'entomophagy,' or, as you might call it in plain English, eating insects! Many have touted this practice as a way to conserve natual resources and take advantage of a food source that is nutritious, easy to cultivate, and plentiful, especially in parts of the world that have not embraced the practice. The film will debut at the Santa Barbara International Film Festival on February 2, 2017. More info can be found here.
FMA: Tell me about your project, "The Gateway Bug."
Johanna: Our fully independent documentary exposes America's disconnect with food as pivotal tipping point for climate change and global warming. Following the terrifying paper presented in 2013 by the UN that food production must double by 2050 to feed Earth's exploding population, and their warning that at this rate, that’s impossible - we needed to know how and why. Upon finding that nutrition is direct result of culture and policy, everyday activities like eating, gardening and grocery shopping become revolutionary acts. This film converts viewers into activists, inviting exploration of taste, ethics and taboos to ignite social change through education.
Cameron: "The Gateway Bug" explores the booming edible insect industry now taking hold in Western countries as a direct response to the unsustainable agricultural practices we’ve witnessed over the last several decades. We discovered the topic through our friend studying at UCSB, and for his thesis he was tasked with developing a business that solves an ecological problem. The problem he was most familiar with was the overfishing of our oceans, and he proposed we start using insects as fish feed, rather than wild fish. Johanna and I found this fascinating, especially when we started talking about insects for human consumption.
FMA: Why did you want to make a film about this topic?
Cameron: The earth and its population are facing many crises at the moment, and food is one big part of that puzzle. We can't survive without it. I am an adventurous eater, and when I heard about humans starting to eat insects in the US, the land of the free and home the quarter pounder with cheese, I was immediately entranced. The reason I wanted to make this film was to tell the story about climate change from a different perspective, one that involves food culture breaking social norms.
Johanna: I'm a filmmaker because I'm a film-lover and I watch a lot of documentaries. It's kind of my favourite way to learn these days and I think a lot of people feel the same way. You can spend weeks trying to finish a book on something you want to know more about, or you can just sit down on your couch and be an expert in a couple of hours. These issues and solutions stand to change the world, so what better way to share them than in the easily digestible (HA!) form of a film? I hope our film helps people see how easy it is to help the planet and minimise climate change. Which in turn hopefully also makes them feel damn good about themselves, improving their health through better nutrition is just a happy side effect in my eyes.
FMA: Do you consider the purpose of the film educational, social, culinary, or something else?
Cameron: I believe the purpose of the film is to enable free thought around how our food is made and how we define what is food. It's a mix of educational, social, and culinary commentary; we meet chefs, farmers, celebrities, and Washington leaders, so we show the burgeoning edible insect industry from multiple angles. We also use archival footage throughout, which is meant to invoke a feeling of "Wait, we've been talking about this stuff for years, why hasn't anything changed?" I think it is a call to action, to encourage new ways of thinking about food production and food culture and their environmental consequences.
Johanna: I think it covers a lot of ground: social impact, environmental, culinary exploration of culture, what it means to survive in America, eating an American diet and how that's a vastly different experience depending on where you were born. We go from cricket farms in food deserts across the rust belt and the water crisis in Flint Michigan to high end restaurants on the lower east side in New York City. From tech geeks in Silicon Valley to Aquaponic farms in Santa Barbara and everything in between.
>>READ MORE below for more answers, further reading, and links!