“Classical” (Used 387 times)

My newest piano music album has been released!

Please go check it out and give it a nice download here: Farther than all the Stars

Much love,

Princess of Mars

NOTE ON LICENSE:

Due to the license on my music, you must get permission prior to using so in youtube videos/ commerical use/ etc. While as I will most likely not refuse your usage of my music, I would like the proper citation to be done, which consists of:

Title of song

Author: Julie Maxwell

Source: http://freemusicarchive.org/music/Julie_Maxwells_Piano_Music/Farther_Than_All_The_Stars/

License: https://creativecommons.org/licenses/by-nd/4.0/

And for my personal benefit. my website: http://www.juliemaxwell.com

Thank you all very much for understanding how important it is to use proper citation for my music, so others can find me!

https://youtu.be/J6UXvRn2Em8

♫ Artist: sawsquarenoise

♫ Track: Sumi Suteshi

♫ Album: none

♫ Genre: Classical, Composed Music

The MIT Symphony Orchestra supports the MIT Concert Choir in this performance of Franz Joseph Haydn's Die Jahreszeiten (The Seasons).  The choir is conducted by William Cutter.

In failing health near the end of his musical career, Haydn composed this work over two years while struggling with a libretto prepared by Austrian nobleman Baron Gottfried van Swieten, who also penned the libretto for Haydn's popular The Creation.  The text is based on the poem "The Seasons" by English poet James Thomson.  Haydn's final work premiered in 1801.

In The Seasons, the chorus sings mostly in four parts, featuring three vocal soloists.  The same solo voices representing archetypal plain country people appear here as in The Creation — Simon (bass), Lucas (tenor), and Hanne (soprano).  For this performance, the soloists are Diana Hogland, Mark Evans, and Mark Andrew Cleveland.

In honor of the Masters Remastered Challenge underway at the Free Music Archive, here is a collection of just a few of the many great albums of reinterpretations of classical works residing at the FMA.

Ergo Phizmiz:
Music From The Shoes of Fulcanelli
CC by-nc-sa

Bacalao:
Beats & Boucles Baroques
CC by-nc-sa

Trans Alp:
Après Quatre Pièces d'Erik Satie
CC by-nc-nd

Lanark:
The Preserving Machine
CC by-nc

Lanark:
My Russian Bride
CC by-nc-nd

Chad Crouch:
Satie Rearranged Furniture Music
CC by-nc

Lee Rosevere:
Time-Lapse: Volume 1
CC by-nc-sa

Kevin MacLeod:
Classical Sampler
CC by

Dr. Phibes and The Ten Plagues of Egypt:
Carmina Burana
CC by-nc-nd

Franz Ignaz Danzi (1763 – 1826) was a cellist, composer, and conductor in the royal courts of Mannheim, Munich, Stuttgart and Karlsruhe. His greatest contribution to music was establishing the quintet for bassoon, clarinet, flute, horn and oboe as a significant chamber music form.

Danzi lived during an important time in the history of European classical music. His career spanned the transition from the late Classical to the early Romantic periods. As a young man he knew Mozart. He was a contemporary of Beethoven and a mentor to young Carl Maria von Weber.

Soni Ventorum Wind Quintet performed the Wind Quintet Opus 67, Nos. 2-3 of Franz Danzi made available by Pandora Records and now appearing on the Free Music Archive. Soni Ventorum was officially founded in 1962 when Pablo Casals asked them to become the woodwind faculty of his newly founded Conservatory of Music of Puerto Rico. Members of the ensemble were on faculty at the Conservatory of Music of Puerto Rico and members of the Puerto Rico Symphony. After leaving Puerto Rico, the members were reunited as faculty of and as the resident wind quintet of the University of Washington the next 30 years. Through their concerts, tours, and recordings, the Soni Ventorum Wind Quintet established an international reputation. See the group's official website for more of the history of this highly regarded quintet.