“Classical” (Used 355 times)
katya-oddio on 06/05/2015 at 09:16PM
The MIT Symphony Orchestra supports the MIT Concert Choir in this performance of Franz Joseph Haydn's Die Jahreszeiten (The Seasons). The choir is conducted by William Cutter.
In failing health near the end of his musical career, Haydn composed this work over two years while struggling with a libretto prepared by Austrian nobleman Baron Gottfried van Swieten, who also penned the libretto for Haydn's popular The Creation. The text is based on the poem "The Seasons" by English poet James Thomson. Haydn's final work premiered in 1801.
In The Seasons, the chorus sings mostly in four parts, featuring three vocal soloists. The same solo voices representing archetypal plain country people appear here as in The Creation — Simon (bass), Lucas (tenor), and Hanne (soprano). For this performance, the soloists are Diana Hogland, Mark Evans, and Mark Andrew Cleveland.
katya-oddio on 03/19/2015 at 05:00PM
In honor of the Masters Remastered Challenge underway at the Free Music Archive, here is a collection of just a few of the many great albums of reinterpretations of classical works residing at the FMA.
katya-oddio on 04/03/2013 at 09:15AM
Franz Ignaz Danzi (1763 – 1826) was a cellist, composer, and conductor in the royal courts of Mannheim, Munich, Stuttgart and Karlsruhe. His greatest contribution to music was establishing the quintet for bassoon, clarinet, flute, horn and oboe as a significant chamber music form.
Danzi lived during an important time in the history of European classical music. His career spanned the transition from the late Classical to the early Romantic periods. As a young man he knew Mozart. He was a contemporary of Beethoven and a mentor to young Carl Maria von Weber.
Soni Ventorum Wind Quintet performed the Wind Quintet Opus 67, Nos. 2-3 of Franz Danzi made available by Pandora Records and now appearing on the Free Music Archive. Soni Ventorum was officially founded in 1962 when Pablo Casals asked them to become the woodwind faculty of his newly founded Conservatory of Music of Puerto Rico. Members of the ensemble were on faculty at the Conservatory of Music of Puerto Rico and members of the Puerto Rico Symphony. After leaving Puerto Rico, the members were reunited as faculty of and as the resident wind quintet of the University of Washington the next 30 years. Through their concerts, tours, and recordings, the Soni Ventorum Wind Quintet established an international reputation. See the group's official website for more of the history of this highly regarded quintet.
NetMusic_Life on 01/28/2013 at 05:13PM
...a magical cross between opera, classical and experimental electronic/ambient music...
Complete review on NetMusic Life.
newweirdaustralia on 01/28/2013 at 07:00AM
This week sees the release of The Pomegranate Cycle by Textile Audio on Wood & Wire. Woven from song, sound textures and fragmented orchestration, The Pomegranate Cycle is the creation of composer, mezzo soprano and sound engineer Eve Klein.
Since 2002, Eve has been working as a professional operatic mezzo soprano, electronic musician and academic. The Textile Audio project finds her working with scores, field recordings, and operatic-pop composite vocals to weave rich melodic soundscapes and textures that she describes as "unashamedly romantic". With a PhD in Music and Sound from Queensland University of Technology, and over 300 shows for Opera Australia under her belt, The Pomegranate Cycle marks the culmination of many years of explorations into the marriage of opera and classical forms with contemporary audio production.
An early work, Some Kind Of Mininova opened New Weird Australia's free compilation, Volume Four, and introduced Textile Audio to an audience who were among the first to experience Eve's unique contemporary Australian experimental opera. This was shortly followed by The Pomegranate EP on Feral Media, which featured early versions of tracks from The Pomegranate Cycle as well as a wonderfully sensitive rework of The Pomegranate Cycle's Demeter's Lament by electronic producer, Gentleforce.
"In a way, whilst there is a provocative electronic subversion inherent in the disruptive industrial clicks, blips and tears that punctuate the work, it is the sheer beauty of Klein's voice, heard against itself, against the samples and lines, against the disembodied choruses, that is the glue by which The Pomegranate Cycle is most potently held together. Here, at the point of Klein's voice and its placement in the structure of the music, are operatic traditions celebrated, challenged and reframed. This is contemporary music at its most relevant - it is simultaneously inward and outward focused in addressing the challenge of its existence and its capacity to produce something great."