“Avant Garde” (Used 258 times)
HAZE_netlabel on 09/03/2017 at 07:23PM
The 卌 is the release from Evgeni Rogozin. This is a collection of sound materials created for art exhibitions and installations during 2015-2017.
HAZE_netlabel on 12/07/2016 at 08:32AM
The new album is maybe about some roots of music. No — we are not going to descend to the roots. We just want to feel them somehow though the modern day sonic meltdown. Looks like there is still a fight down there. Chaos fights sync and melody. Pollution and creative infection fight clarity and hate musical fascism of unisons in E. Arrogant chord progressions of Rachmanonoff are undermined by microtonal synth partisans. No true winners. No justice. Just the World as is. Sorry — just the World of Fake Cats Music Laundering Machines.
TAGGED AS:avant-garde, improvisation, avantgarde, free improvisation, electro acoustic, See More...
sardanpavlov on 09/05/2013 at 10:32PM
Decoder hasn't left much of a footprint at FMA recently, while we've been working out the kinks at our website, but we're to get back into the swing of things by sharing this new work from Michael Hann, aka Rejections. The Jt Wrks are an hour long installment in Hann's experimental radio show, Transmit to Fade; Sonic Router described it aptly as "...an incredibly different exploration of musical tension," composed as it is of contextually varied and subsequently distorted field recordings. Hann describes it...
Transmit to Fade (T2F) is an extension of the nervous system which runs through and from the Teesside based Reject and Fade label, which is managed by producer, writer and film maker Rejections (aka Michael Hann) and will be broadcasted on the international digital radio station Basic FM.
The first episode from T2F is called The Jt Wrks, a soundscape created by Rejections out of field recordings and samples taken on a family holiday in Whitby in 2009. The piece unfolds in a dreamlike manner to explore the finite nature of memory, the tensions inherent in familial relationships, time and loss.
Juan_Angel_Italiano on 04/26/2013 at 11:07PM
"En la cuna de la palabra" es un proyecto que trabaja sobre la expresión primigenia del sonido, a través de la glosolalia, la poesía fonética y la percusión. Unretorno a los orígenes desde una perspectiva actual. Una mirada no antropológica, una mirada experimental y lúdica sobre el trabajo de dos poetas: John M. Bennett y Juan Cunha.
"In the cradle of the word" is a project that works on the primal expression of sound, through glossolalia, phonetic poetry and percussion. A return to the origins from a current perspective. A look not anthropological, experimental and ludic look on the work of two poets: John M. Bennett and Juan Cunha.
10khrs on 09/17/2012 at 02:00PM
On Thursday September 20, 2012, the 24th Season of INTERPRETATIONS, Thomas Buckner’s longstanding series for the presentation of innovative new music begins with an evening featuring two innovative composers! Composer and Sonic Arts Union founding member David Behrman’s concert-length work is built around texts by Siegfried Sassoon & S. N. Behrman, and features Eric Barsness & Thomas Buckner (voices), Theodore Mook (cello), Ralph Samuelson (shakuhachi), & Peter Zummo (trombone). Canadian Composer Tim Brady’s monumental work takes solo guitar to evocative and dramatic new territory. Featuring Stephanie Griffin (viola), Cheryl Seltzer (piano), and Martin Messier & Nelly-Eve Rajotte (video).
In anticipation of our opening event, we would like to offer three pieces of music: Two tracks from Tim Brady's monumental work 24 Frames, and one piece by David Behrman, performed by Jon Gibson at the Kitchen in the mid 1990s.