“Art Rock” (Used 61 times)
tmray on 08/21/2018 at 04:01PM
Rom-Comm Mixtape is a new experimental artistic venture by Lorenzo's Music. A collection of songs and sounds that in the past year have been a personal expression of life and tribulation.
The project was created using nothing but open source software and tools, right down to the operating system on my laptop, Ubuntu Studio. It's also released under a creative commons license, which means it is free to use for your own projects.
These songs are more of a feeling that takes me back to the origins of creating music I remember. When you come up with an idea and build on it to capture a feeling as you go.
It's also the first release on my new netlabel I've started called American Bandito Records. If you have music you would like me to check out let me know!
dhf510 on 06/03/2018 at 01:52PM
In attempt to connect deeply with nature my newly-released album, Revisionist History, is immersed in atmospheric field recordings and jazz-inspired drone. The album looks to delve into the embrace of a warm, youthful summer’s day and perhaps explore what mental state endured by such an environment. This album was made as a direct response to my previous album Manifest Destiny. It follows the lighter pathways opened in conclusion of its predecessor. Revisionist History was made carefully and purposefully. I got a lot out of making this thing and I hope you do as well. Thanks for reading and enjoy!
dhf510 on 11/15/2017 at 10:32PM
Manifest Destiny was a labor of love. Or of falling out of love. I funneled my emotions from a turbulent time of self-reflection into an album that I feel deeply connected to. If nothing else I think one can say that it’s sincere. Along the way I felt the urge to document moments that captured the mood of the record, which turned into snapshots of each song and eventually what I have to present to you now: Manifest Destiny, the film. It’s somewhere between a home movie and an art film; just as experimental as the album. These are vague allusions to the memories that inspired these songs meant for background play as you listen to the album.
You can watch/listen to it here: https://www.youtube.com/watch?v=m6JAp43G1bc
Boston_Hassle on 06/18/2014 at 03:52PM
A screaming, beyond logical continuation of future primitive rock n' roll madness flows from TUNNEL OF LOVE. This s/t record was the first vinyl issuing of this trio's blatant low chord number freakish-ness. Another band vying for the title of most popular band on the Boston area underground music circuit during the first half of the 00s decade.
I first encountered these miscreants (a truly applicable term) raging out (stand up drummer, twins or close relations at least barking and battering a guitar) @ the Berwick Institute in Dudley Sq. in the Roxbury neighborhood of Boston. They were the one garage rock band among a whole scene of art freaks and their resulting music. At the time the Berwick was certainly one of the epicenters of underground music and art in the Boston area, and so when I would see that bands were playing there it was essentially a stamp of approval. TOL received that stamp time and time again. They would eventually become staples @ my house venue THE HOSS and I would eventually release this album for them on LP and CD with my friend Dave Conway.
Originals paired with choice covers, all rendered in one of the gnarliest takes on garage rock that has ever been. You'd be forgiven for thinking that this scuzz was a product of Memphis or Detroit, but no, Boston, MA. Actually, Brookline, MA, just across the Muddy River from Boston, really. Unholy, scuzzing garage rock bombast. As of 2014 these guys do not play very much anymore, but they still stop to throw shit from time to time. Several 7's and LPs followed this one (and a good handful of CD-Rs preceded it). The brothers MacBain went on to bands like THE MONSIEURS, MARTY KINGS, THE PSYCHED, and 99999999999999999999.
- Dan Shea (firstname.lastname@example.org)
** Unfortunately we can't host the cover songs from this record on the FMA.
Get a copy of the LP, or hear the record otherwise, it's worth it. Their version
of "Paint It Black" is LEGENDARY.
LP was limited to 300, 100 of which were ruined by a basement flood. There's
like 20 left.
If you want one get in touch: email@example.com
TAGGED AS:tol, garage rock, art rock, brookline, the hoss, anthony macbain, blown out, garage stomp, boston, boston diy, makoto, boston underground, eca records, tunnel of love, scuzz rock, minimalist, brookline ma, massacusetts, andy macbain, rock n roll, bodies of water arts and crafts, See Less...
Boston_Hassle on 06/05/2014 at 11:31AM
Mysterio-rock trio NIGHT RALLY emerges from the mist & murk of a decade past. Here their debut EP/demo is visible to the naked eye!
Another band encountered in the basements, and other off-the-beaten-path venues, as well as the bars and clubs of Boston, Cambridge, and Somerville (the latter @ the time just beginning to move toward being a land of much live music).
NIGHT RALLY were a unique band for multiple reasons. For one, their post-punkian pop throb was a truly collaborative effort, where band members Luke, Farhad, and Devin not only shared playing and songwriting duties, but singing duties as well. Even here on this demo the singing effort is split up amongst the lot. Secondly, the sound they mined - a pulsing, jittery thing crowned by celestial guitars, and full of anxious yelps trading off with mellow croon - was an abberation at that time in Boston's underground music scene. The band was of the variety that, while perhaps preferring the more informal settings of a Bodies of Water or Honeypump booked underground show, were nonetheless also comfortable in the bar live music setting. And so the band was one of the few of its moment that bridged the gap between acceptance by the underground/ diy music community and the more pop and "indie music" oriented Boston rock club scene and its ilk.
NIGHT RALLY's demo has always been my favorite recording by the band. Initially it found its way to me via the underground venue I was involved with, The HOSS, probably handed to me on an evening when the band played, or not. These Cambridge fellows found their way to that Brighton basement on a number of occasions, playing or not, if my memory serves. The demo @ only 4 songs is fairly perfect, each of the 4 offerings highlighting one or a number of the band's strengths. The rhythm section is locked in, propulsive and capable of surprise turns while remaining locked in. The delay coated guitars showering the songs as if rays of light beaming increasingly through a clouded sky post-shower. Devin King's inventive, powerful lead vocals, intertwine with his bandmate's, creating a syncopated, unified human voice that reaches out and grabs the listener.
NIGHT RALLY were a great band. A split LP with the band CLICKERS followed on HONEYPUMP RECORDS. The self-released PRESTON FAMILY CREST appeared later, and served as the band's swan song.
They disbanded in 2006. Both of these other recordings will eventually make their way onto the FMA via the Boston Hassle, so if you like this EP, keep your eyes peeled.