“Ambient Electronic” (Used 57 times)

Various Artists [elementperspective]: document of life

-FMA limited edition-

elementperspective is not praised for life by people. 

Rather, it is always criticized. 

This compilation is not praised, either. 

However, elementperspective can do only this. 

Only perform noise. 

It never stops. 

This is elementperspective. 

:: back number of elementperspective ::

■ elementperspective079 ''hope2.0''_V.A

released 03 October 2011

If you download this album at bandcamp, immediate download of album in your choice of MP3 320, FLAC, or just about any other format you could possibly desire and get special bonus...

2type album jacket(for CD) & 3type wallpaper for iphone (lock & home screen) .

:: bandvcamp(free download) ::

http://elementperspective.bandcamp.com/album/hope20

-

Japan received the damage fatal on March 11 in 2011. 

In the future, we were obliged to live with radioactivity. 

Making this album, If I was with these members, I thought that it could probably move forward to where.

It was not a mistake. 

''hope2.0'' is the highest album which elementperspective is certainly proud of. 

The noise that the ear in this is crushed is intentionally used, in order to remove our anger and suffering. 

No hope? We still have hope!!

from ono

Black Forest Orchestra were put together to perform at the Woodland Gathering Festival in July 2011. This is their only performance so far. Wooodland Gathering was an event staged by Radio Black Forest in Fellfoot Wood, Cumbria UK.

Black Forest Orchestra 

Shaun Blezard - electronics / laptop
Glenn Boulter - bowed guitars
Simon Jones - electronics / objects
Ian Simpson - electronics

The recording was very kindly and wonderfully made by Kevin Busby of Phantom Circuit.

http://phantomcircuit.wordpress.com/

Artwork is by Ian Simpson (copyright 2011)

RELEASE INFO: ARTIST: Bmind & Roger Brito RELEASE TITLE: Mata Viva CAT#: TRANZ037 RELEASE DATE: 14 April 2011 FORMAT: Mp3/ 320kbps/ 44.100 MHZ more Wave (16Bits) GENRE: Electronic SUBGENRE: IDM, Downtempo, Experimental, Lounge, Ambient TOTAL TIME: 41m19s SIZE: 154 MB Site: www.tranzmitternetlabel.comTRACKLIST: 01- Gota D'agua (1:40) 02- Mata Viva (5:48) 03- Silicio (4:50) 04- 7 lavender (7:30) 05- Pranana (7:51) 06- O Conga (6:54) 07- Caboclo Caribo (6:46)

Standing in the rain, hands deep in raincoat pockets. This ruin of crumbled stone and ivy was once a bath, the public kind, so rarely seen now in our age of modesty. We're in provincial Europe somewhere. The ghosts, of beautiful, naked women, still frolic amongst the apparent decrepitude. A sense of loss, unbearable loss, and almost inevitable melancholy, accompany the rumblings of lust in one's blood, conjured up by mind's-eye pictures of what once happened here. When the wind blows a certain way, you can even smell the soft essence of virgin skin, and other subtle perfumes, almost detected. Such is the salacious, heady ambience, the visions conjured by the music of Lussuria.

Perhaps it's Jim Mroz' dual experience as a black metal musician that enables him to bring the heaviness in such an unexpected way, where what might strike the inattentive listener as stasis comes across ultimately as some very visceral sonic statements, both on his tapes, and unquestionably in this live session, aired on WFMU January 7, the first My Castle of Quiet live guest of our new year 2011.

I first heard Lussuria on a split cassette with Obscure, released by amourtout productions in France (the label run by Shantidas, of Aluk Todolo and Diamatregon.) It was my more-favored side of the tape—a patient, rumbling soundtrack to a nightmare, with an immersed narrative...something about angels. Having named his project after an ultra-obscure Joe D'Amato sexploitation film, Lussuria's Jim Mroz shares this writer's passion for the unusual, much-maligned and misunderstood subset of haunted, twisted, visually stunning cinema of the 1970s and 80s of which D'Amato was a major player. Even were this not the case, I would still have been taken in immediately by Lussuria's resonant, opaque sonic creations, coming out of Jim's mixer like coded maps of the subconscious.

The Lussuria releases (cassettes by Hospital Productions, amourtout, Destructive Industries, and Razors and Medicine) are chilling stuff, even troubling—like listening to a feeling always just out of reach. These sets, rendered live and expertly engineered by Bob Bellerue, certainly align with that description. Thanks also to Tracy Widdess, for rendering my photo of Jim (see above), appropriate to the translucent and mournful qualities of the music. This was a bit of a coup for me personally, as I've been an admirer of Lussuria's recordings since first hearing. I hope you enjoy these pieces, and receive them in the spirit in which they were rendered.