"Van Alebeek's disk is an interesting combination of site recordings and philosophy. Recorded earlier this year in Berlin-Dresden-Wuppertal it opens with a triptych of short pieces that sound like someone driving around hearing fireworks there are bangs, whizzes, some crowd noises and a terminal 'wow'. The second track has a motor humming, steps and an interference buzz, some crowds and then a woman (Barbara Gessner) reads a letter about recordings and then disgust at their country's war mood (the US?). A softer male voice reads the same a little delayed. There are big noises, a tram, and another. Some radios and more fireworks and finally a park with birds, talking and a radio playing something Middle Eastern. In a large space someone gives a talk, almost understandable, as buckets clatter and things scrape in the distance. The woman again, saying existence and aesthetic meaningfully, a piano plays quite extensively. Moving in another large space, a woman speaks German, there is chittering, banging, distant singing and tapping on the mike. And finally a man talking about senses, everything we are surrounded by caring for us, society and music taking us to the gates of hell, as traffic pasess."
Kulissen Abriss by Rinus Van Alebeek is licensed under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License.