Solo guitar album released in 2006. Twenty-four lo-fi recordings of (mostly) acoustic guitar improvisations.
…Guitarist James Beaudreau, playing both improvised and composed pieces
and using editing as a way of making one appear to be the other, or else
not, has made an impressive debut with this effectively recorded
collection… Noise effects personal to the instrument—knocking, the
previously mentioned squeaks—are enhanced in either mix to the point
where firecrackers seem to be going off. It could be a barrage in praise
of Beaudreau, since picking like this is always welcome.
— Eugene Chadbourne at All Music
These 24 mini-improvs were brewed up in the kitchen of Beaudreau's
Brooklyn home, and the domestic ambiance is part of the charm, as the
guitarist's musing Nick Drake-meets-Derek Bailey improvisations are
momentarily upstaged by a passing plane or a noisy bird, or receive
incidental percussion from the house's other residents (including the
cat!) …The glorious retro-minimalist mini-LP design, too, is
irresistible, making the album look like a previously unknown 1960s folk
album.
—Nate Dorward at Paris Transatlantic
…These improvisations are played in an idiosyncratic style,
incorporating terse, epigrammatic phrases—which can't help but evoke the
spectre of Derek Bailey—and more lyrical folk stylings. Like Hans
Reichel's pieces, they pivot in unusual places, so that "Hare", for
instance, takes on a structural slipperiness. …[Java St. Bagatelles]
recalls some of Captain Beefheart's guitar pieces, which were
transcribed from tapes of his precocious beginner's piano—although
Beaudreau's instrumental chops are far more advanced.
—Mike Barnes in WIRE magazine No. 270 (Aug 06)