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twinlakes on 03/12/2015 at 03:25PM
We are beyond psyched to announce the latest addition to Twin Lakes -- Rivener, a new project started by our label co-founder Michael Kiefer and the hyper-prolific Mercy Choir mastermind Paul Belbusti. According to Kiefer, since his main musical outlet Myty Konkeror had been relatively inactive over the past year, he was itching to do something new and different: "I was looking to do something totally free-form with no rules...something improvisational, sort of in the rockist tradition that could be noisy at times, or calm and subdued, but with less emphasis on the harshness of noise and maybe with more psychedelic or no wave elements. As these ideas were starting to percolate and I started thinking about collaborators, Paul had just put out this amazing album under his Mercy Choir moniker called Gguitar, which was mostly improvised guitar pieces. I knew right away that he was the guy."
Unbeknownst to him, right around the same time, Belbusti had placed a Craigslist ad looking for someone to form an improv duo, citing pretty much all the same influences that were inspiring Kiefer at the time. The stars had aligned, and the two began practicing almost immediately.
Their first release, Fires in Repose, consists of three pieces captured during only their second jam session: shape-shifting explorations of no wave, noise, and psych with elements rooted in the rockist tradition. Rivener stretches, bends, and breathes new meaning into these influences, conjuring stormy, cosmic clouds of sound. It will be available on limited edition cassette and CD-R (50 each), as well as digital. Added to the FMA is one track off of Fires plus the previously unreleased "It takes a pillage."
twinlakes on 08/19/2010 at 05:04AM
It's been long overdue, but MYTY KONKEROR's first full-length, I miss the future. is now available from Twin Lakes. Recorded between June 2008 and February 2010, this record marks a departure from the band's earlier stripped-down sound as a two-piece to embrace a more expansive approach with the addition of lap steel guitarist Jon Schlesinger. The result is a Copernican meditation in the form of blow yr head off rock, sludge oozing from the sonic scrap metal this band is known for.
Eschewing principles of mass-production, the band contacted New Zealand's Peter King, who uses his own custom-modified lathes to cut the records to what is actually a clear, kind of polycarbonate plastic. We chose to do a limited run of 30 this way because we wanted the album to stay as close to human hands as possible throughout the entire making of it.