New Weird Australia is a not-for-profit initiative designed to promote and support new eclectic and experimental Australian music. Our current projects include a label (titled ‘New Editions’), a free compilation series (available to download on a bimonthly basis), a weekly radio show on Sydney’s FBi 94.5FM (stream online at fbiradio.com) and an irregular program of live events.
» VIEW BLOG newweirdaustralia's
newweirdaustralia on 03/04/2014 at 12:30AM
Like a pack of kids at the back of the bus, hacking Minecraft and throwing buns at hipsters, Sydney's Filthy Children arrive with a howl, indifferent to the past, present and future. Their debut collection of disparate electronics pays little respect to those that have preceded them, those who tweak in their orbit, or those that are likely to follow.
Across 20-tracks, Chillection is a free selection of FilChil's nonchalant side, featuring cuts from Defocus, Canecutter, Paperclip Galaxy, Mystery Wagon, Baerfrens, Moufteef, L-X-EN, cyber.akb, Kwze, Kaukana, Carpet Brick, Kuwait Paragraphic and Ilki - a wanton manipulation of the DNA of Australia's electronic music, foreshading everything and nothing.
In their own words: "Chillection is a journey through sounds, sights, textures, graphics, boss levels, loading screens, character select, hidden packages, rainbow roads, techno schmeckno, dragons, wizards and warlocks, the temple of time, pallet town, springfield, rivendel and winterfel."
newweirdaustralia on 03/25/2013 at 09:00AM
No Love Lost (WW15) is the debut release from electronic producer Sarah Phelan, under the name Drill Folly. Sarah has been making music for a number of years as a founding member of Melbourne's Tantrums, whose debut EP Anomie was released on New Weird Australia in 2010, featuring remixes from Collarbones & Worng. As part of Tantrums, Sarah has played live supporting Unkle, Mount Kimbie, Caribou, Four Tet, PVT, Xiu Xiu, My Disco, Jason Forrest and more.
This debut release is designed to be listened to on your own, in headphones. Sarah notes: "This is about expressing human emotion through machines. This is about therapy ... immersion ... escape ... about words being insufficient ... about trying to remember and remembering to forget. This is about not letting things sit on your hard drive until you die."
Beginning in early 2012, Adelaide’s Hollow Press has been using drone, glitches, field recordings, voices and industrial sounds to create his work. His first two albums, Fleeting Joy and Between Us were released digitally and on CD by US label Drug Arts. A remix album of his work was released in early 2013 with reworks from The Atlas Room, Shisd, Delphine Coma, Amanda Schoepflin and more.
The third Hollow Press album in the span of a year, Heads in Dust (WW16) is a collection of blissful and at times unsettling songs - an abstract soundtrack to someone’s innermost, darkest thoughts, as it drifts seamlessly though sonic atmospheres. Clearly Hollow Press loves the darker shades of experimentalism, exploring ambience, mingling sounds, wave-like-synths, bells, and distorted voices, resulting in a captivating and significant Australian experimental album.