Mini Profile

» VIEW BLOG emcecil's
emcecil on 05/17/2012 at 03:45PM
Digital Stimulation: An Interview with the Units' Scott Ryser
Suicide may have lit the torch in the mid-'70s, but one could argue that by decade's end, its carriers lived on the other side of the country -- in San Francisco. Sure, L.A. had the Screamers and some other odd ducks. But SF hosted an impressive number of bent bands who used synths, tape machines and other electrical apparatus to extend punk's mutated left end by leaps/bounds. Informed by avant garde composers and performance artists, fueled by apocalyptic abandon and paranoid pop twitch, groups like Tuxedomoon, Nervous Gender, the Residents, Factrix, Minimal Man, Chrome, and Pink Section would release timeless slabs of aggresively bizarre noise -- as would the Units, whose Digital Stimulation LP (415 Records, 1980) remains a personal favorite. The album's a lush and moody salvo if there ever was one, and I was thrilled to ask former lead synth player and vocalist Scott Ryser (right) a few questions about the band and its M.O. by e-mail last week.
READ MORE
emcecil on 01/26/2012 at 06:52PM
Demo to London: The Handgrenades / Sponsors Story
In '79, the Handgrenades issued what would become the best UK DIY punk single not actually from the UK: their "Demo to London" b/w "Coma Dos" 45, self-released in an undetermined quantity on the band's unnamed imprint.
The single is a killer. It was also once a source of profound mystery -- to collectors and wayward punk geeks, at least. Omitted on the sleeve are the band's roster, their location and where they recorded their material, and the only nuggets of information profferred are a production credit attributed to Bob Levitan and the word "phonographix." Given this anonymity, and in light of the title and subject of "Demo to London" -- not to mention the otherworldly cut-up cover art, production, vocals, and musicianship (or lack thereof) -- many took the band's provenance to be London, or perhaps the outskirts of Manchester. The flip's manic "Coma Dos" sheds even less light on the single's origin, and the listener's left with a clang-punk artifact of the highest random order, reminiscent of contemporaries like Swell Maps, the Petticoats, Desperate Bicycles, so on, so forth.
READ MORE




