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REGISTERED:04/16/2009
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Curators: WFMU

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FMA YEAR ONE STELE
UPLOADED:12/22/2009
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doncbruital on 12/06/2010 at 10:50AM

FMA 2010: The Weird, and the Weird Weird.

While Year Two of the New FMA Calendar (which for some reason the whole world has yet to adopt) or "2010," as it's also sometimes called, was so huge for brilliance on the Free Music Archive that it seems patently ridiculous to boil it down to a quick playlist and call it a day, there were, nevertheless, alongside all the semiprecious gems spread throughout this whole glittering data mine, a few really precious ones, ones which gave me that special bit of brain-soul-revitalization in thrilling and unexpected ways. Or, to put it another way, I jammed some tracks harder than others, and these are them.

First of all, WFMU continued to astound in the new decade with a series of synapse-rupturing, reality-bending in-studio performances. Brian Turner's show gave us the Legendary Pink Dots' journey beyond the infinite, Bill Orcutt's obliteration of staid guitar, and Wolf Eyes with Richard Pinhas on a deep id creep; "Talk's Cheap" with Jason Sigal had the sludge throb of Thrones on, and thanks to Wm. Berger's "My Castle of Quiet" we grooved on Hex Breaker Quintet's magick monolithick shuffle and SSPS' party synth mindgrip. And folks, understand this is just a smattering.

The FMA also saw a bevy of fine new work from old favorites--U Can Unlearn Guitar's second album of instant classical readytunes, selections from Fat Worm of Error's panic paen Ambivalence and the Beaker--and lots, lots of stuff from artists new to the archive who joined up with a bang (or a bleep or a clang or a crrsshh or what have you). Female upped the new record Jackoff, your go-to soundtrack for a blurred-out night on the garish and grimy town; Weyes Bluhd and Supernaturelle brought some creeping malevolence via shadowy guitar and murky electronic invocations, respectively; Sam Gas Can gave us a 21-drone salute from his Dog Dance tape as well as lots more home-recording brilliance (give a click folks, for real); and Sun Araw upped tantalizing selections from his justifiably-lauded On Patrol and Off Duty  releases, tracks that wash in and out of the conscious mind like a sunrise and a couple or three drinks. Things also got kinda, uh, heavy on the FMA in 2010, with new sludge gods White Suns' extraordinary Cavity tape and seriously damaged beat, well, beatings from the impossibly cathartic Sewn Leather and DJ Dog Dick (who provides our year-end anthem with "Lap Dog"),

And then there's AMANDA, whose genius I won't bother trying to sum up. All in all, it's been some kind of journey, this 2010 thing, and the only thing that tops the heights attained by the FMA this year is the safe knowledge that it's all just the beginning.

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doncbruital on 09/07/2010 at 03:45PM

White Suns, Bleak Sounds

I've written before about the annihilatory unifying power of slow-building doomy rock, the way that it suggests something utterly outside time and space, delivering unto the listening masses the kind of communion best thought of as shared obliteration of the senses. Of course when I say "obliteration" I mean it in the best possible way, which is why it sure is heartening to see that Brooklyn's WHITE SUNS have allowed their patented brand of damaged rock make its heavy celestial drift over to the Free Music Archive's skies. And I do mean heavy: these guys deal in the kind of metal netherworld in which squealing feedback meets up with slow, wholly sludged-out drumming to form a fractured, messy and yet completely enrapturing atmosphere, as exhilarating as any band that's ever stunned you with sheer audacity, as liturgical as any black mass you were ever warned about.

White Suns comes to us via Ampeater Music, whose contributions to the FMA are a huge boon to those of us looking for that new trailblazing sound, something a little extra-dimensional, shiny as a comet--check out their stacked-with-talent and exclusive compilation, you wanna see for yourself. But pay special attention to White Suns' Cavity, a release whose 20 minutes constitutes a ritual observance of nature's brutality, undertaken in the service of catharsis, a moment out of your day for serious worship. Consider it a religious injunction.

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doncbruital Is a Fan Of...

Yellow Swans, SSPS (Jon Nicholson), Flower-Corsano Duo, Mudboy, Silver Pines, White Mice, Master Musicians of Bukkake, Teenage Waistband, Sightings, Robedoor, The Rebel, Nautical Almanac, Silver Apples, Yuma Nora, Grouper, Old Time Relijun, Projekt Karpaty Magiczne / Magic Carpathians, Blues Control, Glass Candy, Birds Of Maya, Holy Cobras, No Neck Blues Band, Kevin Shields, Dragging an Ox Through Water, Telecult Powers, Isa Christ, Magic Lantern, Grand Trine, AIDS Wolf, Wildildlife, Wolf Eyes, The Friendly Dimension, Harvey Milk, R. Stevie Moore, Black Pus, Angst Hase Pfeffer Nase, Solid Eye, Byron Coley, Bardo Pond, Clinic, Double Leopards, Sord, U.S. Girls, Luminous in Nummer, Mouthus, Al Duvall, Heat Wilson, Roan Stars, To Live and Shave in L.A., Thrones, FNU Ronnies, Legendary Pink Dots, Country Teasers, Lazy Magnet, Excepter, Cold Cave, Throbbing Gristle, Free Matter for the Blind, Oneida, Phemale, Harmonia, Bonedust, Loren MazzaCane Connors, Fursaxa, Weird Forest, Tusk Lord, Big Blood, Weyes Blood, Dead Moon, Magik Markers, Occasional Detroit, Prince Rama, Sun Araw, Aidan Baker, The Pink Noise, Talk Normal, Tom Carter, Matt Valentine & Erika Elder, Clockcleaner, Spectre Folk, Sewn Leather, Sam Gas Can, Horse Boys, The Shining Path, USAISAMONSTER, DJ Dog Dick, Steve Gunn, Satanized, Bill Orcutt, Pierced Arrows, Javelin, Sir Richard Bishop, Bronhard/Going/Public, Fat Worm of Error, Ultrathin, Pulse Emitter, U Can Unlearn Guitar, Little Howlin' Wolf, Justice Yeldham, Black Feelings, Tony Conrad, Watersports, Sword Heaven

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Grand Trine
on 08/09/2009 at 09:29AM
Yoorah real fi-yar-st-art-ar.
jason
on 05/14/2009 at 05:44PM
you found the bonedust!