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REGISTERED:04/16/2009
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MIXES CREATED:3
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Curators: WFMU

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FMA YEAR ONE STELE
UPLOADED:12/22/2009
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doncbruital on 12/06/2010 at 10:50AM

FMA 2010: The Weird, and the Weird Weird.

While Year Two of the New FMA Calendar (which for some reason the whole world has yet to adopt) or "2010," as it's also sometimes called, was so huge for brilliance on the Free Music Archive that it seems patently ridiculous to boil it down to a quick playlist and call it a day, there were, nevertheless, alongside all the semiprecious gems spread throughout this whole glittering data mine, a few really precious ones, ones which gave me that special bit of brain-soul-revitalization in thrilling and unexpected ways. Or, to put it another way, I jammed some tracks harder than others, and these are them.

First of all, WFMU continued to astound in the new decade with a series of synapse-rupturing, reality-bending in-studio performances. Brian Turner's show gave us the Legendary Pink Dots' journey beyond the infinite, Bill Orcutt's obliteration of staid guitar, and Wolf Eyes with Richard Pinhas on a deep id creep; "Talk's Cheap" with Jason Sigal had the sludge throb of Thrones on, and thanks to Wm. Berger's "My Castle of Quiet" we grooved on Hex Breaker Quintet's magick monolithick shuffle and SSPS' party synth mindgrip. And folks, understand this is just a smattering.

The FMA also saw a bevy of fine new work from old favorites--U Can Unlearn Guitar's second album of instant classical readytunes, selections from Fat Worm of Error's panic paen Ambivalence and the Beaker--and lots, lots of stuff from artists new to the archive who joined up with a bang (or a bleep or a clang or a crrsshh or what have you). Female upped the new record Jackoff, your go-to soundtrack for a blurred-out night on the garish and grimy town; Weyes Bluhd and Supernaturelle brought some creeping malevolence via shadowy guitar and murky electronic invocations, respectively; Sam Gas Can gave us a 21-drone salute from his Dog Dance tape as well as lots more home-recording brilliance (give a click folks, for real); and Sun Araw upped tantalizing selections from his justifiably-lauded On Patrol and Off Duty  releases, tracks that wash in and out of the conscious mind like a sunrise and a couple or three drinks. Things also got kinda, uh, heavy on the FMA in 2010, with new sludge gods White Suns' extraordinary Cavity tape and seriously damaged beat, well, beatings from the impossibly cathartic Sewn Leather and DJ Dog Dick (who provides our year-end anthem with "Lap Dog"),

And then there's AMANDA, whose genius I won't bother trying to sum up. All in all, it's been some kind of journey, this 2010 thing, and the only thing that tops the heights attained by the FMA this year is the safe knowledge that it's all just the beginning.

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doncbruital on 09/07/2010 at 03:45PM

White Suns, Bleak Sounds

I've written before about the annihilatory unifying power of slow-building doomy rock, the way that it suggests something utterly outside time and space, delivering unto the listening masses the kind of communion best thought of as shared obliteration of the senses. Of course when I say "obliteration" I mean it in the best possible way, which is why it sure is heartening to see that Brooklyn's WHITE SUNS have allowed their patented brand of damaged rock make its heavy celestial drift over to the Free Music Archive's skies. And I do mean heavy: these guys deal in the kind of metal netherworld in which squealing feedback meets up with slow, wholly sludged-out drumming to form a fractured, messy and yet completely enrapturing atmosphere, as exhilarating as any band that's ever stunned you with sheer audacity, as liturgical as any black mass you were ever warned about.

White Suns comes to us via Ampeater Music, whose contributions to the FMA are a huge boon to those of us looking for that new trailblazing sound, something a little extra-dimensional, shiny as a comet--check out their stacked-with-talent and exclusive compilation, you wanna see for yourself. But pay special attention to White Suns' Cavity, a release whose 20 minutes constitutes a ritual observance of nature's brutality, undertaken in the service of catharsis, a moment out of your day for serious worship. Consider it a religious injunction.

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doncbruital Is a Fan Of...

Satanized, Aidan Baker, Pulse Emitter, USAISAMONSTER, Bonedust, Excepter, Little Howlin' Wolf, Telecult Powers, Blues Control, Legendary Pink Dots, Tony Conrad, Clockcleaner, Silver Pines, Al Duvall, Old Time Relijun, Oneida, The Friendly Dimension, Big Blood, Mouthus, Spectre Folk, Weyes Blood, Flower-Corsano Duo, Bardo Pond, Tusk Lord, Sord, Thrones, Lazy Magnet, Projekt Karpaty Magiczne / Magic Carpathians, Justice Yeldham, Glass Candy, Harmonia, Yuma Nora, No Neck Blues Band, To Live and Shave in L.A., Occasional Detroit, Sam Gas Can, Wildildlife, Grand Trine, Master Musicians of Bukkake, Wolf Eyes, Weird Forest, U.S. Girls, Javelin, Luminous in Nummer, Black Feelings, DJ Dog Dick, Sun Araw, Fat Worm of Error, Talk Normal, Free Matter for the Blind, White Mice, Nautical Almanac, Cold Cave, Prince Rama, Solid Eye, Phemale, Robedoor, Sewn Leather, Black Pus, FNU Ronnies, Holy Cobras, Pierced Arrows, Watersports, Horse Boys, R. Stevie Moore, Steve Gunn, Magic Lantern, Sword Heaven, Silver Apples, Ultrathin, Dragging an Ox Through Water, Bronhard/Going/Public, The Pink Noise, Clinic, Sir Richard Bishop, Throbbing Gristle, SSPS (Jon Nicholson), Kevin Shields, Heat Wilson, Roan Stars, Angst Hase Pfeffer Nase, Tom Carter, Matt Valentine & Erika Elder, U Can Unlearn Guitar, Fursaxa, Teenage Waistband, Grouper, Bill Orcutt, Double Leopards, Loren MazzaCane Connors, Mudboy, AIDS Wolf, Magik Markers, Sightings, The Shining Path, The Rebel, Harvey Milk, Dead Moon, Isa Christ, Yellow Swans, Birds Of Maya, Country Teasers, Byron Coley

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Grand Trine
on 08/09/2009 at 09:29AM
Yoorah real fi-yar-st-art-ar.
jason
on 05/14/2009 at 05:44PM
you found the bonedust!