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Stevecombsmusic on 03/18/2018 at 08:14PM

Patreon/Steve Combs Premium

Free and free-use music has been at the heart of everything I've done for the past few years, and I'm both proud of the work I've done and extremely grateful to everyone who's been receptive to it.

I'm launching a Patreon because I wanted to give all those people who've supported my music a chance to get more involved, and a chance to support my work directly. I get emails from people all the time asking if they can pay me to use my music, and I always tell them it's not necessary, thanks to Creative Commons licensing. So I've never made a dime from my music, and while that means it's more accessible, it also means that I can't work on it as much as I'd like to. With your support, I'll be able to create much more music much more efficiently than I otherwise could.

That's why I'm launching Steve Combs Premium, a song-a-week series, as a reward and an incentive for your patronage. Every week, supporters will get a brand-new song to download (and use in their projects) before its available anywhere else. Only $3 per month gives you exclusive access to 52 songs a year, plus occasional bonus tracks, as well as an exclusive podcast rounding up my favorite free-use tracks from around the internet.

Visit my Patreon to get involved!

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steve combs, patreon
Stevecombsmusic on 03/26/2017 at 05:55PM

Anthology: The Definitive Best of Steve Combs

Anthology is a 60-song retrospective of my work.

Hello FMA!

I'm very excited to announce the release of Anthology, a 4-disc, 60-song retrospective of my work. This compilation covers each of my albums, from 2014's The Sun is Rising to the just-released Etaoin Shrdlu, as well as my collaborations with other artists (like The Freeharmonic Orchestra) and other odds and ends from my catalog. It was something of a challenge to compress over 300 songs into a compilation 1/5 the size, but I think the finished product really is the best of what I've done, so please do check it out!

You can download Anthology as one big album from, as individual discs from Bandcamp, or listen to it as two mixes right here on the Free Music Archive.

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Stevecombsmusic on 05/06/2016 at 02:03PM

Big Juan

A pretty polite comment, I thought.

Hey FMA'ers. I've had an interesting day.

I'm used to people using my music in their projects. In fact at this point, I expect it. It would be weird if they didn't. Out of the roughly 250k downloads my songs have gotten, I'd bet at least half of them were for use in a video, on a podcast, or for a school project. And I love and am so grateful to everyone who does this because without it, I probably wouldn't be doing this anymore. To be honest, I think the FMA made my career what it is, and I owe it and the whole free culture community so much. That said, there is a limit to the freedom of my culture.

I woke up at around 11am this morning, because I'm a college student, and saw a couple of Twitter notifications (@stevecombsmusic, by the way). A German fan, @ruhpkid, tweeted at me to say that some guy named Big Juan put a copyright claim on a YouTube video of his in which he used my song, More Or Less OK, from my new album Riotwhich is available here on the FMA. Ruhpkid gave me credit and was generally wonderful. But Big Juan was claiming that my song was his song, Equalizer. At first I didn't think anything of it, that it was just a misguided attempt at stealing royalties or something. The joke would be on him, of course, since I don't get any kind of royalties. But I did a Google search for "Equalizer by Big Juan" and found the song on YouTube.

That's when I got angry.

I hear the first three seconds, which is the same opening drum fill as my song, and think "Well, maybe he just sampled it and forgot to give credit." But it quickly became clear that that wasn't the case. This wasn't a sample, this was a theft. Big Juan literally downloaded my song, changed the title, and put it on YouTube as his own.

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