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Lemon_Yellow_Hayes on 07/01/2018 at 03:02PM
The production company of legendary film maker Nico Mastorakis reached out to me in December of 2017 asking if they could use my song '1990-Something Part II' in their recently released and award-winning documentary entitled Mykonos, The Soul of an Island. In the production company's own words..
"This feature documentary is about the most controversial island of the Mediterranean. It’s spectacular but bitter, entertaining but critical, fun to watch yet investigative, sarcastic but emotional. It explores all slices of life, in the four months of the summer, when two million visitors come and go, five-star beach bars gross a million euros a day, busboys make $4,000 a month and tips distributed to the staff exceed one million. Mykonos of the filthy rich, the hordes of celebrities, the drugs, the deaths and the dark side where lawlessness rules. The film is not a travelogue, it delves deeply into the world of the high rollers, their excesses and extremities and the island’s total takeover by the “new colonialists.”
I knew that the Mykonos landscape was beautiful but I had no idea that human element was so decadent. Knowing that '1990-Something Part II' is kind dark musically, I asked how the song was going to be used. They explained that they wanted to use it "to underscore the darker elements of Mykonos". Regardless of the amount of sunshine in Mykonos, this is as close to the dark side as I ever want to get.
Those interested in purchasing the DVD can find it here on eBay.
8-6-18 Update: I finally got to see the video. I sat through over an hour of some of the darkest highlights of Mykonos and my song was nowhere to be found. At an hour and six minutes the song finally started. It turns out that they decided to use it for the back drop of a montage paparazzi footage. The song played for well over two minutes with no talking which was kind of nice because every other bit of music that was heard in the video had narration over the music.
Lemon_Yellow_Hayes on 06/18/2018 at 10:37AM
Just about twenty five years ago, I stopped playing my guitar in the regular EADGBE tuning. In fact, I had stopped playing guitar long enough to intentionally forget a lot of what I'd learned in that tuning. When I resumed my playing, I began tuning the strings on my guitar to whatever felt (and sounded) good to me. After awhile, I decided to look for other alternate tunings when, by chance, I stumbled across a few online articles mentioning that the standard tuning for all instruments (A = 440 Hz) was something that had been imposed / mandated by "those in power" with less than wholesome intentions. Since the nature of the notion is conspiratorial, comment sections of related articles and videos were chock full of comments bashing those that felt that A = 440 was not a healthy tuning. I began to wonder why people would go out of their way to bash someone else's belief concerning a topic that's seemingly not all that important. The amount of bashing that I saw was enough to lead me to believe that those doing the bashing were doing so for a reason. Reading and partaking in online arguments on the subject seemed to be nothing more than a waste of time and energy so I decided to see for myself. What I found by playing in A = 444 Hz is that the tuning actually resonates with my physical being a lot more than it does if I were to tune to A = 440 Hz.
I recently came across this video for the CymaScope app. This app includes a small circular keyboard and the ability to see the actual cymatic geometry that's created by different tones by using one of three different tunings. (A = 432 Hz, A = 440 Hz and A = 444 Hz) While the demonstration in the video doesn't show the geometry of those five simple notes that were made famous by 'Close Encounters of the Third Kind' in 432 Hz, it does show the geometric effects of those five notes in 440 Hz and 444 Hz. It may be a matter of opinion but, to me, the patterns created by A = 440 Hz are rather sloppy and lack the symmetry and beauty of the patterns created by A = 444 Hz.
Seeing might not be believing so you might have to do just as I did and shut the world off, put aside any preconceived notions, pick up your instrument of choice and experiment. I found a lot of folks that mentioned that A = 432 Hz was the 'correct' tuning. While that might be a tuning that resonates well with some people, it didn't resonate as well with me and the open tunings that I use. When I first tuned to A = 444 Hz, it felt like I'd arrived at home after a long trip (for lack of a better way of describing it) After having felt and heard the differences first-hand, I'll never go back to using the A = 440 Hz tuning.
A search on the subject yields a lot of results that can be seen as religious or 'new-agey'. The majority of results actually make a lot of sense. The trick is to not be dissuaded or put off by the 'out there' stuff and keep a very open mind. As I previously mentioned, try the different tunings for yourself and you can be the judge. Outside of Jay Z's 4:44 album, John Lennon's 'Imagine' and a handful of Paul McCartney concerts, there isn't a lot of 444 Hz music available that's not under the 'new age' / religious category but that doesn't have to be the case.
The Free Music Archive is a great musical resource but I feel that music can't really be free, or played freely, if it's blindly played in an imposed standard tuning. We live in a world where we're constantly bombarded with unhealthy and unregulated frequencies that the human body cannot readily detect. If we can allow ourselves the choice to create, listen to and share music that carries with it a healthier frequency, the world might become a better place. If you (or your band) have music that's been recorded in A = 444 Hz (or A = 432 Hz) feel free to add a link in the comments section below. My Ünspecified collection is all A = 444 Hz as is 'Squeaky Wings' and 'Brother Christmas'.
As the Nikola Tesla quote goes, “If you want to find the secrets of the universe, think in terms of energy, frequency and vibration”