Axletree (Artist)

Artists: Axletree

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Axletree on 09/13/2017 at 08:21PM

Subconscious Production - An Interview With Sro

Browsing the FMA charts recently, I came across the track ‘If Only They Hadn’t’ by electronic music producer Sro. I found myself drawn in by the slow, gentle intro and bouncing drum machine, opening up into a layered world of reverbed synths. Spending some time with more of his music, I found time and again an infective catchiness infused with unexpected and sometimes unsettling undertones, bringing to mind electronic outfits like the Orb, Ladytron or Depeche mode, as well as nu breaks producers such as Plump DJs. With programs like Netflix’s Stranger Things or the BBC’s Trust Me and White Gold, there seems to be something of a move back to 80’s synth influences in production music, so I thought I’d take a little time to get to know a little more about this talented, experimental producer, and see what is involved in making this kind of thing…


Axletree: Your music combines a lot of elements, from grimy break-beat to syth-pop. Who are your chief influences in your work?

Sro: I'd say there are six main artists who really influence my work. Those being Hermitude, HOME, Daft Punk, Deadmau5, the Old Gorillaz and DJ Shadow’s older tracks as well. These artists have been a huge inspiration for me in finding what I enjoy making. Along with the Oldskool sound of Hip-Hop/Boombap from the 90s.

Axletree: Can you take us though some of your working process? What kinds of equipment do you use? Do you have a song planned at the start or does it emerge over time?

Sro: I don't have much in the way of equipment besides the very basics. I have a Axiom 49 (sitting atop a box that acts as a stand) that I got off a family member who wasn't using it and an old Pioneer SX-6 that was my great grandfathers stereo back in the day. Most of the time though I just use my desktop keyboard instead of the midi because it's more convenient in my current bedroom setup. My DAW is FL Studio and I have it filled with free VSTs that I've found from 1990s to 2017 and sample one shots from over 70 drum machines; I'm just constantly adding more to my collection.

The process of making music, from what I've found, is very subconscious. Like for me if I try to make a song with a set idea of what it all should be then nine times out of ten it will never go anywhere and I'll get bored of it. Of course there is random inspiration from an idea in which you will try and cultivate into musical form, but trying to forcibly make it happen is just a no go. All my tracks give off a certain feeling or vibe to me that I had when I first started to create it. I know this may seem hard to understand but I don't know if there's any better way to explain it, other than a vague answer such as I just let it happen. Or I guess another way of saying it is all the feelings and happenings that happened that day play a huge role in the making of music even if I don't consciously think of them.

Axletree: It's nice to put the work into context - where are you from? Would you say your place and time has an impact on your music?

Sro: I'm from a small town in West Virginia, I'm not classically trained in music, and I only just started to really get into making music last November after graduating high school. I also plan on making music videos for my songs soon too since they all have their own story to tell. Now my place and time definitely have a huge impact on my music. There's no doubt about that because like I said, I find it to all be a subconscious process and the world I'm living in is filled with constant coverage on stuff that gives fear. Always filled with morbid, depressing, or outrageous things for the masses to digest. I feel we all need to cool down and just chill out for a bit, find a healthy mental balance in your life. At least that's what I hope to convey in my music.


You can hear Sro here.

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Axletree on 08/25/2017 at 05:06AM

Album Review - 'Creation' by Borrtex

The cover of "Creation" by Borrtex.

Grand, moving & cinematic.

Clearly an artist who likes a challenge, Borrtex has taken on the whole of creation with his new album, which includes song titles like ‘sun’ and ‘moon’, ‘plants’, ‘animals’, ‘ocean’ and ‘sky’. It’s a tall order to represent such grand ideas in music, but Borrtex has brought together a diverse range of sounds to create a textured work that lives up well to it’s ambitions. Whether it’s delicate drops of ‘light’, or the syncopated bells on ‘plants’, or the deep earthy drums and moving chord progressions that play out through the work, the sense throughout the album is that nature is moving, in its own mysterious and powerful ways, through the music, which reflects it and brings it to life. It is a soundtrack album, and has that cinematic quality we might associate with fantasy works like Game of Thrones, but also, at certain moments, a subtlety and gentleness which makes it accessible and listenable, and in places, really quite beautiful.

I got in touch with Borrtex to ask him a little about the album, Prague, and the future for his music:


Axletree: Throughout the album you've used titles related to nature - what role does nature play in your work?

Borrtex: Yes, I have used the titles related to nature, specifically to creation of Earth. As I'm a Christian and I do believe in God, I used titles and chronological order from Bible's book of Genesis, which describes the creation of Earth by God. So you can basically hear some kind of transformation from universe and darkness to plants, animals and finally even the greatest part of creation; the human race.

Axletree: What's the music scene like in Prague? Do you find it conducive to creativity?

Borrtex: Prague is amazing. It's definitely a great place to go and relax, we have a nice historic background here and if you go just a little bit outside of Prague, you can find beautiful views of nature. But to be honest, when it comes to composing, it doesn't affect me too much. I'm really just trying to make the best of me when I'm making music and the best place for that will always be my imagination.

Axletree: Is this just the beginning for Borrtex? How do you think things will progress for you musically?

Borrtex: I want to try new things. Right now, after the Creation was released, I want to focus more on composing individual tracks, so I want to release more singles and then I will probably start working on my new album, which I hope to be a little bit of something new.


We will look forwards to seeing how Borrtex redirects his musical talents in the future, but for now you can download ‘Creation’ here:

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