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newweirdaustralia on 03/25/2013 at 09:00AM
No Love Lost (WW15) is the debut release from electronic producer Sarah Phelan, under the name Drill Folly. Sarah has been making music for a number of years as a founding member of Melbourne's Tantrums, whose debut EP Anomie was released on New Weird Australia in 2010, featuring remixes from Collarbones & Worng. As part of Tantrums, Sarah has played live supporting Unkle, Mount Kimbie, Caribou, Four Tet, PVT, Xiu Xiu, My Disco, Jason Forrest and more.
This debut release is designed to be listened to on your own, in headphones. Sarah notes: "This is about expressing human emotion through machines. This is about therapy ... immersion ... escape ... about words being insufficient ... about trying to remember and remembering to forget. This is about not letting things sit on your hard drive until you die."
Beginning in early 2012, Adelaide’s Hollow Press has been using drone, glitches, field recordings, voices and industrial sounds to create his work. His first two albums, Fleeting Joy and Between Us were released digitally and on CD by US label Drug Arts. A remix album of his work was released in early 2013 with reworks from The Atlas Room, Shisd, Delphine Coma, Amanda Schoepflin and more.
The third Hollow Press album in the span of a year, Heads in Dust (WW16) is a collection of blissful and at times unsettling songs - an abstract soundtrack to someone’s innermost, darkest thoughts, as it drifts seamlessly though sonic atmospheres. Clearly Hollow Press loves the darker shades of experimentalism, exploring ambience, mingling sounds, wave-like-synths, bells, and distorted voices, resulting in a captivating and significant Australian experimental album.
newweirdaustralia on 03/01/2013 at 08:44PM
Solace is the new EP from The Vainglories, the solo project of Melbourne artist Gillian Lever. Described as "lullabies for the nightmare-prone," Solace blends dark undercurrents with deceptively pretty melodies, shifting rhythms and synthetic textures.
Gillian has been writing as The Vainglories since 2003, creating scores for imaginary films. Whilst living in Melbourne she played in melodic pop band Tempted and electronica duo Sweet Violentine, and contributed music to theatre, live improvised comedy and (actual) short film. In 2007, she moved to Brighton in England and created a live performance set from The Vainglories' back catalogue of extraterrestrial lullabies, playing at celebrated Brighton venues such as Komedia and The Basement. Now based in Melbourne again, as The Vainglories she constantly struggles with the grammatical difficulties that arise from being a solo artist with a name more suited to a band. 'Solace' is her first release since 2010's 'Violets' and her debut release for Australian experimental netlabel, Wood & Wire.
TAGGED AS:australian underground, experimental electronic, australia, experimental, new weird australia, See More...
newweirdaustralia on 01/28/2013 at 07:00AM
This week sees the release of The Pomegranate Cycle by Textile Audio on Wood & Wire. Woven from song, sound textures and fragmented orchestration, The Pomegranate Cycle is the creation of composer, mezzo soprano and sound engineer Eve Klein.
Since 2002, Eve has been working as a professional operatic mezzo soprano, electronic musician and academic. The Textile Audio project finds her working with scores, field recordings, and operatic-pop composite vocals to weave rich melodic soundscapes and textures that she describes as "unashamedly romantic". With a PhD in Music and Sound from Queensland University of Technology, and over 300 shows for Opera Australia under her belt, The Pomegranate Cycle marks the culmination of many years of explorations into the marriage of opera and classical forms with contemporary audio production.
An early work, Some Kind Of Mininova opened New Weird Australia's free compilation, Volume Four, and introduced Textile Audio to an audience who were among the first to experience Eve's unique contemporary Australian experimental opera. This was shortly followed by The Pomegranate EP on Feral Media, which featured early versions of tracks from The Pomegranate Cycle as well as a wonderfully sensitive rework of The Pomegranate Cycle's Demeter's Lament by electronic producer, Gentleforce.
"In a way, whilst there is a provocative electronic subversion inherent in the disruptive industrial clicks, blips and tears that punctuate the work, it is the sheer beauty of Klein's voice, heard against itself, against the samples and lines, against the disembodied choruses, that is the glue by which The Pomegranate Cycle is most potently held together. Here, at the point of Klein's voice and its placement in the structure of the music, are operatic traditions celebrated, challenged and reframed. This is contemporary music at its most relevant - it is simultaneously inward and outward focused in addressing the challenge of its existence and its capacity to produce something great."
TAGGED AS:australia, experimental electronic, experimental opera, vocal, contemporary classical, See More...
newweirdaustralia on 07/14/2012 at 07:52AM
New Australian digitial record label WOOD & WIRE continues its monthly release schedule with two new records from Adelaide’s REGIONAL CURSE and Canberra producer SHISD.
‘Natural Living’ is the third release from REGIONAL CURSE, the solo project of Stacey Wilson (RITES WILD, TERRIBLE TRUTHS, COMFORT ZONES). The record was performed, recorded & mixed at home by Wilson in the autumn of 2012, directly after leaving her home town of Adelaide to move to Melbourne. Refracted through pervasive themes of ascension and natural progression, ‘Natural Living’ marks a shift for Wilson into territories occupied by low-toned electronic synth and spacious drum work.
しsd – EP is the self titled debut release of the 19-year-old, Canberra-based producer Felix Idle aka SHISD. A passion for the pop of the 1960s and an intuitive ear for texture and harmony inform this carefully constructed EP. Delicate vocal work (mostly courtesy of his brother and some-time collaborator, Cape North) is underpinned by complex and thoughtful musical arrangements. Simultaneously spacious and claustrophobic, this is what laptop music would have sounded like in 1967.
newweirdaustralia on 07/08/2012 at 11:39AM
‘Wood & Wire‘ is a new digital record label, promoting experimentation in Australian music across all genres. Born of New Weird Australia, but existing separately from it, ‘Wood & Wire’ launched in June with four free releases:
- ‘Inter Alia‘ from Melbourne duo Peon, featuring Lloyd Swanton from The Necks
- the debut release from young experimental electronic producer, Emily Grantham, titled ‘Chocolate Syrup‘
- a complete remake of the reviled Lou Reed & Metallica album ‘Lulu‘ from BOK Darklord (aka Buttress O’Kneel and Lucas Darklord)
- and the self-titled debut from Machine Death, featuring reknowned experimental artist Ben Byrne and Ivan Lisyak from The Paper Scissors.
Two new records are added to the Wood & Wire catalogue each month - coming next, releases from Regional Curse, Shisd, James Domeyko and Setec.